Everything an Indian does is in a circle, and that is because the power of the World always works in circles, and everything tries to be round . . . The sky is round and I have heard the earth is round like a ball, and so are all the stars. The wind in its greatest power whirls, birds make their nest in circles, for theirs is the same religion as ours.

Everything the Power of the World does is done in a circle. The sky is round, and I have heard that the earth is round like a ball, and so are all the stars. The wind, in its greatest power whirls. Birds make their nest in circles, for theirs is the same religion as ours. The sun comes forth and goes down again in a circle. The moon does the same and both are round. Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. Our tepees were round like the nests of birds, and these were always set in a circle, the nation's hoop.'''

Indian thought has traditionally regarded history and prehistory in cyclical rather than linear terms. In the West time is an arrow — we are born, we live, we die. But in India we die only to be reborn. Indeed, it is a deeply rooted idea in Indian spiritual traditions that the earth itself and all living creatures upon it are locked into an immense cosmic cycle of birth, growth, fruition, death, rebirth and renewal. Even temples are reborn after they grow too old to be used safely — through the simple expedient of reconstruction on the same site.
Within this pattern of spiralling cycles, where everything that goes around comes around, India conceives of four great epochs of 'world ages' of varying but enormous lengths: the Krita Yuga, the Treta Yuga, the Davapara Yuga and the Kali Yuga. At the end of each yuga a cataclysm, known as pralaya, engulfs the globe in fire or flood. Then from the ruins of the former age, like the Phoenix emerging from the ashes, the new age begins.

The life of man is a self-evolving circle, which, from a ring imperceptibly small, rushes on all sides outwards to new and larger circles, and that without end. The extent to which this generation of circles, wheel without wheel, will go, depends on the force or truth of the individual soul.

The more one knows, the more one comprehends, the more one realizes that everything turns in a circle.

The earth is round, so why to play it square? Beneath the sun and beneath the moon, in the clouds that sail gently by, everything is going round. Children dance in a ring; there is the Tour de France, and the bikes, and the eyes that look at them and frame them on the road.. .You leave your rectangles, your geometrical windows, and you go to the land of circles in action.. ..It's human nature to break through boundaries, to grow, to push towards freedom. Roundness is free; it has no beginning and no end. [referring to the circus ring]

And we are all connected to each other, in a circle, in a hoop that never ends

That is when I understood the magical meaning of the circle. If you go away from a row, you can still come back into it. A row is an open formation. But a circle closes up, and if you go away from it, there is no way back. It is not by chance that the planets move in circles and that a rock coming loose from one of them goes inexorably away, carried off by centrifugal force. Like a meteorite broken off from a planet, I left the circle and have not stopped falling. Some people are granted their death as they are whirling around, and others are smashed at the end of their fall. And these others (I am one of them) always retain a kind of faint yearning for that lost ring dance, because we are all inhabitants of a universe where everything turns in circles.

Indian thought has traditionally regarded history and prehistory in cyclical rather than linear terms. In the West time is an arrow—we are born, we live, we die. But in India we die only to be reborn. Indeed, it is a deeply rooted idea in Indian spiritual traditions that the earth itself and all living creatures upon it are locked into an immense cosmic cycle of birth, growth, fruition, death, rebirth and renewal. Even temples are reborn after they grow too old to be used safely—through the simple expedient of reconstruction on the same site. Within this pattern of spiralling cycles, where everything that goes around comes around, India conceives of four great epochs of "world ages" of varying but enormous lengths: the Krita Yuga, the Treta Yuga, the Davapara Yuga and the Kali Yuga. At the end of each yuga a cataclysm, known as pralaya, engulfs the globe in fire or flood. Then from the ruins of the former age, like the Phoenix emerging from the ashes, the new age begins.

Everything turns in circles and spirals with the cosmic heart until infinity. Everything has a vibration that spirals inward or outward — and everything turns together in the same direction at the same time. This vibration keeps going: it becomes born and expands or closes and destructs — only to repeat the cycle again in opposite current. Like a lotus, it opens or closes, dies and is born again. Such is also the story of the sun and moon, of me and you. Nothing truly dies. All energy simply transforms.

Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him — man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to — oh, stop it!

When I was small, my mother often told me that animals, insects, and plants are to be treated with the kind of respect one customarily accords to high-status adults. “Life is a circle, and everything has its place in it,” she would say. That’s how I met the sacred hoop, which has been an integral part of my life.

It’s the circle of life, and it moves us all, through despair and hope, through faith and love, ’till we find our place, on the path unwinding.

We Indians live in a world of symbols and images where the spiritual and the commonplace are one. To you symbols are just words, spoken or written in a book. To us they are part of nature, part of ourselves, even little insects like ants and grasshoppers. We try to understand them not with the head but with the heart, and we need no more than a hint to give us the meaning.