15 Quotes Tagged: fairy-tale

Such is the passage, x. 14, where, after giving an account that the sun stood still upon Gibeon, and the moon in the valley of Ajalon, at the command of Joshua, (a tale only fit to amuse children). This tale of the sun standing still upon Motint Gibeon, and the moon in the valley of Ajalon, is one of those fables that detects itself. Such a circumstance could not have happened without being known all over the world. One half would have wondered why the sun did not rise, and the other why it did not set; and the tradition of it would be universal; whereas there is not a nation in the world that knows anything about it.

Here and there and not just in books we catch glimpses of a world of once upon a time and they lived happily ever after, of a world where there is a wizard to give courage and a heart, an angel with a white stone that has written on it our true and secret name, and it is so easy to dismiss it all that it is hardly worth bothering to do. ... But if the world of the fairy tale and our glimpses of it here and there are only a dream, they are one of the most haunting and powerful dreams that the world has ever dreamed...

They sat close to each other, and he told her a story about her eyes. They were beautiful dark lakes in which her thoughts swam about like mermaids. And her forehead was a snowy mountain, grand and shining. These were lovely stories.

It was not until much later when, after a deep and satisfying orgasm, I suddenly realised the true meaning of the fairy tale and the nature of the magic kiss of which it speaks.

He was the most ordinary man in all the world, and yet in her memory he'd become luminous, like the prince in a fairy tale.

It sounds like a fairy-tale, but not only that; this story of what man by his science and practical inventions has achieved on this earth, where he first appeared as a weakly member of the animal kingdom, and on which each individual of his species must ever again appear as a helpless infant... is a direct fulfilment of all, or of most, of the dearest wishes in his fairy-tales. All these possessions he has acquired through culture. Long ago he formed an ideal conception of omnipotence and omniscience which he embodied in his gods. Whatever seemed unattainable to his desires - or forbidden to him - he attributed to these gods. One may say, therefore, that these gods were the ideals of his culture. Now he has himself approached very near to realizing this ideal, he has nearly become a god himself. But only, it is true, in the way that ideals are usually realized in the general experience of humanity. Not completely; in some respects not at all, in others only by halves. Man has become a god by means of artificial limbs, so to speak, quite magnificent when equipped with all his accessory organs; but they do not grow on him and they still give him trouble at times... Future ages will produce further great advances in this realm of culture, probably inconceivable now, and will increase man's likeness to a god still more.

The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.

The whole thing becomes like this evil enchantment from a fairy tale, but you're made to believe the spell can never be broken.

Roses bloom and cease to be, but we shall the Christ-child see

"Mary Poppins is not a fairy-tale."
"She's even better!" said Alfred loyally. "She's a fairy-tale come true."

Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.

Life itself is the most wonderful fairytale.

"In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63)."

Is there an intelligent man or woman now in the world who believes in the Garden of Eden story? If you find any man who believes it, strike his forehead and you will hear an echo. Something is for rent.

This was not a fairy-tale castle and there was no such thing as a fairy-tale ending, but sometimes you could threaten to kick the handsome prince in the ham-and-eggs.