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“It occurred to Bo that Texas songs were always about the sky because there simply wasn't anything else. No hill, no mound, not even a ripple of earth to break the dizzying sweep of the eye toward infinity. “Flat,” she decided, was a term insufficient to the terrain. It was more than that. It was actually a negative pull, an inverted gasp of ground beneath a firmament so boundless it might threaten the sanity of even those who weren't already pushing the edge.