One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid.

I could make a strong, if not conclusive, case for the idea that plants are more intelligent than people — more beautiful, more pacific, more ingenious in their ways of reproduction, more at home in their surroundings, and even more sensitive. Why, we even use flower-forms as our symbols of the divine when the human face reminds us too much of ourselves — the Hindu-Buddhist mandala, the golden lotus, and the Mystic Rose in Dante’s vision of Paradise. Nothing else reminds us so much of a star with a living heart.

If the ego were to disappear, or rather, to be seen as a useful fiction, there would no longer be the duality of subject and object, experiencer and experience. There would simply be a continuous, self-moving stream of experiencing, without the sense either of an active subject who controls it or of a passive subject who suffers it. The thinker would be no more than the series of thoughts, and the feeler no more than the feelings.

We can’t reimpose old myths on ourselves or believe in new ones made up out of a desire for comfort; therefore, the path of self-examination is the only one a person of conscience can reasonably follow. Otherwise, we will only numb ourselves to the meaninglessness of life, seizing present pleasure to avoid pain, a futile strategy — here

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Все такие избыточные законы (законы, регулирующие нравственность человека и уличающие в преступлениях там, где нет невольно пострадавших) являются попытками сделать жизнь человека свободной от риска, или “защищенной от дурака”. Тем самым индивид не несет больше ответственности за свою собственную жизнь и не может по своему усмотрению рисковать для достижения политических, социальных, атлетических, научных и религиозных целей в том случае, когда такой риск кажется ему оправданным.

Now as you plumb out into the universe and explore it astronomically, it gets very strange. You begin to see things in the depths that at first sight seem utterly remote. How could they have anything to do with us. They are so far off and so unlikely. And in the same way, when you start probing into the inner workings of the human body you come across all kinds of funny little monsters and wiggly things that bear no resemblance to what we recognize as the human image. Look at a spermatozoon under a microscope. That little tadpole! And how can that have any connection with a grown human being. It’s so unlike, you see. It’s foreign feeling. And you get the creeps, a foreign feeling, about yourself...But what we will always find out in the end when we meet the very strange thing, there will one day be the dawning recognition: Why that’s me.

In an autobiography one must surely be allowed to boast, just for fun. I have, at a range of twenty feet, shot the tobacco out of a cigarette and left the paper intact. At a range of thirty feet, I have split a target, edge towards me, with an air pistol. I am also the world's champion in a game called "You Are the Target," in which anyone better than I would be dead. The game is to shoot an arrow straight up and see how near to you it can be allowed to land. You have to watch its fall very carefully, but I have had it hit the ground exactly between my feet. Of course, there were no witnesses. Had there been, they would forcefully have discouraged the experiment. I was using a fifty-five pound bow.

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If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death—or shall I say, death implies life—you can conceive yourself. Not conceive, but feel yourself, not as a stranger in the world, not as someone here on sufferance, on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental. What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself. So, say in Hindu mythology, they say that the world is the drama of God. God is not something in Hindu mythology with a white beard that sits on a throne, that has royal perogatives. God in Indian mythology is the self, Satcitananda. Which means sat, that which is, chit, that which is consciousness; that which is ananda is bliss. In other words, what exists, reality itself is gorgeous, it is the fullness of total joy.

Do not suppose, however, that we are merely a society of lotus-eaters, lolling on divans and cuddling lovely women. Ecstasy is something higher, or further out, than ordinary pleasure, and few hippies realized that its achievement requires a particular discipline and skill that is comparable to the art of sailing. We do not resist the vibrations, pulses, and rhythms of nature, just as the yachtsman does not resist the wind. But he knows how to manage his sails and, therefore, can use the wind to go wherever he wishes. The art of life, as we see it, is navigation.