Thus the one absolutely essential requirement for the art of cooking is a love for its raw materials: the shape and feel of eggs, the sniff of flour, or mint, or garlic, the marvelous form and shimmer of a mackerel, the marbled red texture of a cut of beef, the pale green translucence of fresh lettuce, the concentric ellipses of a sliced onion, and the weight, warmth, and resilience of flour–dusted dough under your fingers. The spiritual attitude of the cook will be all the more enriched if there is a familiarity with barns and vineyards, fishing wharves and dairies, orchards and kitchen gardens.

For the coherent continuity of any one individual is much like a whirlpool in a river; it is “there” day after day, although the water itself never stays put. You could even say that there is no such thing as a whirlpool, but that the river is whirlpooling in the same way that the universe eyes and the plant flowers.

Time itself is a creation of the restless mind; space has been created by the same mind to give itself room to wander when in fact there is no space beyond a mental construct that, like all constructs, eventually turns into a prison.

Jesus was not the man he was as a result of making Jesus Christ his personal savior.

This is the whole meaning of polarity, of life implying death, of subject implying object, of man implying world, and Yes implying No. [...] Just as liberation involves the recognition of oneself in what is most other, it involves the recognition of life in death - and this is why so many rites of initiation take the neophyte through a symbolic death. He accepts the certainty of death so completely that, in effect, he is dead already - and thus beyond anxiety.

If you awaken from this illusion and you understand that black implies white, self implies other, life implies death (or shall I say death implies life?), you can feel yourself – not as a stranger in the world, not as something here on probation, not as something that has arrived here by fluke - but you can begin to feel your own existence as absolutely fundamental.

"What happens to my fist [noun-object] when I open my hand?" The object miraculously vanishes because an action was disguised by a part of speech usually assigned to a thing! In English the differences between things and actions are clearly, if not always logically, distinguished, but a great number of Chinese words do duty for both nouns and verbs — so that one who thinks in Chinese has little difficulty in seeing that objects are also events, that our world is a collection of processes rather than entities.

The art forms of the Western world arise from spiritual and philosophical traditions in which spirit is divided from nature, and comes down from heaven to work upon it as an intelligent energy upon an inert and recalcitrant stuff. Thus Malraux speaks always of the artist “conquering” his medium as our explorers and scientists also speak of conquering mountains or conquering space. To Chinese and Japanese ears these are grotesque expressions. For when you climb it is the mountain as much as your own legs which lifts you upwards, and when you paint it is the brush, ink, and paper which determine the result as much as your own hand.

Instead of thinking that you’re a victim of a mechanical world or an autocratic God, try this on — the life you’re living is what you have put yourself into. Only you won’t admit it because you want to play the game that it has happened to you. But instead of blaming your father for getting horny for your mother, and expecting both of them to take responsibility for your crummy life since they brought you into the world, try considering that you were the shiny gleam in your father’s eye when he approached your mother, and that it was your intention that led you to become deliberately involved in this particular existence. And even if you’ve had a terrible life — rife with syphilis and tuberculosis and the Siberian Itch — it has all, nevertheless, been a game. And isn’t that an optimal hypothesis?

Paradoxical as it may seem, the purposeful life has no content, no point. It hurries on and on, and misses everything. Not hurrying, the purposeless life misses nothing, for it is only when there is no goal and no rush that the human senses are fully open to receive the world.

We crave distraction — a panorama of sights, sounds, thrills, and titillations into which as much as possible must be crowded in the shortest possible time. To keep up this “standard” most of us are willing to put up with lives that consist largely in doing jobs that are a bore, earning the means to seek relief from the tedium by intervals of hectic and expensive pleasure. These intervals are supposed to be the real living, the real purpose served by the necessary evil of work.

The problem is to appreciate differences in the basic premises of thought and in the very methods of thinking, and these are so often overlooked that our interpretations of Chinese philosophy are apt to be a projection of characteristically Western ideas into Chinese terminology.