American biographer, screenwriter, and novelist (1921–1992)
Alexander Palmer Haley (11 August 1921 – 10 February 1992) was an American writer best known for his work Roots: The Saga of an American Family.
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Native Name:
Alexander Murray Palmer Haley
Also Known As:
Alex
Alternative Names:
Alexander Palmer Haley
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Alexander M. P. Haley
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A. M. P. Haley
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A. Haley
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Haley
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Alexander Haley
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Alex Palmer Haley
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Haley, Alexander Murray Palmer
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Haley, Alex
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Хейли, Алекс
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Алекс Хейли
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А. Хейли
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"nightly boiling and then cooling a broth of freshly pounded fudano leaves in which she soaked her feat -and the pale palms of her hands- to an inky blackness. When Kunta asked his mother she told him to run along. So he asked his father, who told him, "The more blackness a woman has the more beautiful she is.
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Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.” The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
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I knew I wanted to write. I had dreamed about it for years. I wasn’t going to be one of those people who die wondering, “What if?” I would keep putting my dream to the test — even though it meant living with uncertainty and fear of failure. This is the Shadowland of hope, and anyone with a dream must learn to live there. If you can't live here, get back to YOUR roots and LEARN to live here!
Just look at the scores of thousands of housing tracts in this country, where only parents and children live. Think of the impact on these children who will grow up without close proximity to grandparents. There are certain things that a grandmammy or a granddaddy can do for a child that no one else can. It's sort of like Stardust — the relationship between grandparents and children. The lack of this for many children has to have a negative impact on society. The edges of these children are a little sharper for the lack of it. … I tell young people to go to the oldest members of their family and get as much oral history as possible. Many grandparents carry three or four generations of history in their heads but don't talk about it because they have been ignored. And when the young person starts doing this, the old are warmed to the cockles of their souls and will tell a grandchild everything they can muster.
"The first time he had taken the massa to one of these "high-falutin' to-dos," as Bell called them, Kunta had been all but overwhelmed by conflicting emotions: awe, indignation, envy, contempt, fascination, revulsion — but most of all a deep loneliness and melancholy from which it took him almost a week to recover. He couldn't believe that such incredible wealth actually existed, that people really lived that way. It took him a long time, and a great many more parties, to realize that they didn't live that way, that it was all strangely unreal, a kind of beautiful dream the white folks were having, a lie they were telling themselves: that goodness can come from badness, that it's possible to be civilized with one another without treating as human beings those whose blood, sweat, and mother's milk made possible the life of privilege they led."