Top 15 Alfred Horsley Hinton Quotes

In selecting our subject then we have two things to consider. First, is it as good as the conditions will let it be - that is, have we chosen the point of view which, with the present conditions, shows at its best pictorially, and secondly, if taken from this point now, are the alterations we would like, weather or light, to make for us of such a kind that we can introduce them for ourselves when printing, and, if so, what are those alterations.

It is the subjects which might be imitated by pieces of paper of varying depth of color laid one over the other, which are the subjects that will give more readily the greater satisfaction.

...but record and recognition are not pictorial qualities.

The utmost care and forethought, and no little manipulative skill, are necessary to control the defining power of the lens or detail printing power of a sharply focused negative.

...the purpose of a picture is not veracity to fact so much as truthfulness to idea; that is to say, it is not a question of what eye sees nor even what the brain imagines, but it is a question of what kind of production best awakens in the mind of the beholder the ideas which the maker of the picture desires him to receive.

A picture whether or not it is really true to fact must above all things appear true.

Justification must be sought in the fact that "no very great incongruity is observable."

… it may suggest whether a negative made by camera and lens is always an essential, or indeed if a negative at all is needed so long as we can produce a light-painted image at our will.

The different degree of light interference between blue and red also affords a power which we may be glad to avail ourselves, in some cases using the red where a very marked degree of lightening is desired, or blue where only a trifling difference is needed.

Probably every portrait photographer resorts to some such "dodge" for making a face lighter or other similar purpose, and he finds that the application of water-color paint in ever so thin a wash makes so much difference to the printing density that blue is commonly used as being a quick printing color, the effect of which is therefore not so great; an equally dense layer of blue and of red to any portion of a negative would print very differently, the red shutting off the light action much more powerfully than the blue.

… especially considering that the whole matter of applying photography to purely artistic ends is in such a state of infancy, and that this idea of deliberate violation of truth to fact, for the sake of securing truth to ideas, has hardly yet been put into practice.

It must ever be borne in mind that the prime object of all fine arts is to please through some or other of the emotions which it stirs.

...to be able to say of a representation that it is "exactly like Nature " is by no means equivalent to saying that it is a fine picture.

… what the photographer has to be urged, persuaded and argued with, to do, are often matters which the artist never needs to think about, because it would be unnatural to him not to act in unconscious obedience thereto.

I have sometimes felt that writers on the artistic aspect of photography have too often, like the reformers of religious creeds, led their followers into a condition of disbelief and unrest, and then left them to find out for themselves how to live up to new and vague beliefs, so many writers on Pictorial Photography have told us what to avoid without saying why, and have then told us what to do without showing how.