American aviator and writer (1906–2001)
Anne Morrow Lindbergh (22 June 1906 – 7 February 2001), born Anne Spencer Morrow, was a pioneering American aviator, and the wife of Charles Lindbergh
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Anne Spencer Morrow
Alternative Names:
Anne Lindbergh
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Anne Morrow
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Anne Spencer Morrow Lindbergh
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Anne Spencer Lindbergh
From Wikidata (CC0)
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Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon — rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature.
They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them — and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.
It is an oyster, with small shells clinging to its humped back. Sprawling and uneven, it has the irregularity of something growing. It looks rather like the house of a big family, pushing out one addition after another to hold its teeming life - here a sleeping porch for the children, and there a veranda for the play-pen; here a garage for the extra car and there a shed for the bicycles. It amuses me because it seems so much like my life at the moment, like most women's lives in the middle years of marriage. It is untidy, spread out in all directions, heavily encrusted with accumulations....
I kept looking at the flowers in a vase near me: lavender sweet peas, fragile winged and yet so still, so perfectly poised, apart, and complete. They are self-sufficient, a world in themselves, a whole — perfect. Is that then, perfection? Is what those sweet peas had what I have, occasionally in moments like that? But flowers always have it — poise, completion, fulfillment, perfection; I only occasionally, like that moment. For that moment I and the sweet peas had an understanding.
When you love someone you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom
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