Anzia Yezierska Quotes

The Americans of tomorrow, the America that is every day nearer coming to be, will be too wise, too open-hearted, too friendly-handed, to let the least last-comer at their gates knock in vain with his gifts unwanted. ("America and I")

As one of the dumb, voiceless ones I speak. One of the millions of immigrants beating, beating out their hearts at your gates for a breath of

Art should be free, like sunlight and beauty. The only compensation for the artist is the chance to feed hungry hearts. ("Brothers")

The stars in their infinite peace seemed to pour their healing light into me. I thought of captives in prison, the sick and the suffering from the beginning of time who had looked to these stars for strength. What was my little sorrow to the centuries of pain which those stars had watched? So near they seemed, so compassionate. My bitter hurt seemed to grow small and drop away. If I must go on alone, I should still have silence and the high stars to walk with me. (p220)

I had just begun to peel the potatoes for dinner | when my oldest sister Bessie came in, her eyes far away and very tired. She dropped on the bench by the sink and turned her head to the wall.
One look at her, and I knew she had not yet found work. I went on peeling the potatoes, but I no more knew what my hands were doing. I felt only the dark hurt of her weary eyes.
I was about ten years old then. But from always it was heavy on my heart the worries for the house as if I was mother. I knew that the landlord came that morning hollering for the rent. And the whole family were hanging on Bessie’s neck for her wages. Unless she got work soon, we’d be thrown in the street to shame and to laughter for the whole world. (first lines)

A warm wave of happiness welled up in me. Often before I had tried to be happy, but this happiness now came unbidden, unwilled, as though all the hells I had been through had opened a secret door. Why had I no premonition in the wandering years when I was hungering and thirsting for recognition, that this quiet joy, this sanctuary, was waiting for me after I had sunk back to anonymity? I did not have to go to far places, sweat for glory, strain for the smile from important people. All that I could ever be, the glimpses of truth I reached for everywhere, was in myself. The power that makes grass grow, fruit ripen, and guides the bird in its flight is in us all. At any moment when man becomes aware of that inner power, he can rise above the accidents of fortune that rule his outward life, creating and recreating himself out of his defeats. Yesterday I was a bungler, an idiot, a blind destroyer of myself, reaching for I knew not what and only pushing it from me in my ignorance. Today the knowledge of a thousand failures cannot keep me from this light born of my darkness, here, now.

For a long time I sat still, staring at the passing scenery through which the train was speeding, pondering the loneliness in each individual soul. The struggle of man, alone with the feeble resources of courage at his command, against a universe that cares nothing for his hopes and fears.

on the train as I faced my disgrace, I saw that Hollywood was not my success, nor my present poverty and anonymity, failure. I saw that "success," "failure," "poverty," "riches," were price tags, money values of the market place which had mesmerized and sidetracked me for years.

I had sought security in the mud and in the stars, sought it in the quick riches and glory of Hollywood and in the security wage of W.P.A. I sought it everywhere but in myself. Suddenly I felt like that ship-wrecked sailor who had been picked up, dying of thirst, unaware that the current into which he had drifted was fresh water.

Years ago, in Hollywood, Samuel Goldwyn said to me that to tell a good story, you must know the end before you begin it. And if you know the end, you can sum up the whole plot in a sentence. But I had always plunged into writing before I knew where it would take me. If a story was alive, it worked itself out as I wrote it.

"...But every step of my writing career was a brutal fight, like the stealing of that oatmeal from hungry children.” Even the waiters stopped removing plates and stood with the trays in their hands, listening openmouthed. One confession led to another. “When I banked the money the movies paid me for Hungry Hearts, the elation of suddenly possessing a fortune was overshadowed by the voice of conscience: What is the difference between a potbellied boss who exploits the labor of helpless workers and an author who grows rich writing of the poor?" When the applause came I felt as if I had walked out of darkness into light. (Part Two, Chapter IV)

...It was a gesture of simple kindness, but it stirred currents in me that had never before been touched. The mountain of hurts I carried on my back from czarist Russia, and the hurts piled up looking for a job in America, dissolved. I had been accepted, recognized as a person....I tasted the bread and wine of equality. (Part Two, Chapter I)

This ancient past that I had despised and rejected with the ruthlessness of youth now had me by the throat. I had never really broken away. I had only denied that which I was in my blood and bones. “Poverty ... an ornament . . . like a red ribbon on a white horse. . . .” Those were my father’s words.

Give a beggar a dime and he'll bless you. Give him a dollar and he'll curse you for withholding the rest of your fortune. Poverty is a bag with a hole at the bottom.

This is a story with an unhappy ending. And I too have become Americanized enough to be terrified of unhappy endings. Yet I have to drop all my work to write it.