Quietly, like a shadow, I watch this drama unfold scene by scene. I am the lucid one here, the dangerous one, and nobody suspects. An old maid! No husband. Doesn't know love. Hasn't even lived, really. They're wrong. In any case, I'm savoring my revenge in silence. Silence is mine, vengeance is mine. (first lines)
Haitian writer (1916-1973)
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It did not escape me that for some time now I'd been faking piety. I had lost my faith when I saw the children's bodies piled high before my eyes after the last hurricane. Many of the oldest and meanest had been spared. Why? was the first unanswered question that gave me the courage to make my point. How many of these women kneeling to receive the body and blood of our Lord had never helped their fellow man? I asked myself that Sunday. All those around me were great sinners-usurers, exploiters, sadists, corrupters of virtue. I had known them from tender childhood. Not a soul you could praise to the skies. (p18)
At twelve, she already understood many things. She accepted them as inevitable, yet questioned them all the same. Why? Why were things this way and not another? Why were some people rich and others poor? Why did people beat their slaves? Why were some masters kind and others cruel, some priests good and others evil? Why did catechism teach the things it did and why did the priests act the way they did? They said: we are all brothers, but then they bought slaves and beat or otherwise tortured them. Why should she have to hide herself in order to learn to read? Why had Rosélia, one of the neighborhood vendors, been imprisoned for hiding a runaway slave? And above all, why - knowing what could happen - had she hidden that slave, who she did not even know? (chapter I, p17)