Chris Cornell Quotes

Request Magazine: And now we're back to suicide. Some months have passed now since Kurt [Cobain] killed himself. Judging from his suicide note, it seems as if he thought there was something that was being demanded of him by the music industry or fans or someone, that he either couldn't or didn't want to deliver.

Maybe Kurt [Cobain] meant it [to mention suicide in his lyrics]; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.

I don't think anyone can safely resolve that's why Kurt Cobain killed himself [for getting hassled by people]. I mean, I don't really bother theorising on suicides, but I'm sure it was more than that. It was common knowledge that Kurt had a serious fucking health problem and he had it for years, well before he was ever famous. Whenever people talk about drugs and death, they put Kurt in a category of drug death, which is not the case. The fact that he was taking drugs was also based on the fact that he had serious health problems that nobody could seem to help him out with. Drugs were one way of relieving pain. I'm sure there were also problems with the fact that he couldn't go anywhere. He felt self-conscious about being a teen idol, which was something he didn't want to be. And there was always that issue that he was sick - and that didn't necessarily have to do with drugs or the fact that he was famous. It all points to something else. It wasn't just: this guy's a heroin addict and it made him crazy and he killed himself. Or: this guy gets bothered by teenagers and he hates it so he killed himself. That's probably the most romantic view, but it's not the most real view. You don't know what drives somebody to do that, but if I ever committed suicide, I would do it in a way that meant no one ever knew that it was suicide - because to me, the biggest fear of killing myself would be what it would do to my friends and family. If things are fucked enough that I want to kill myself, the last thing I want to do is go out and really fucking hurt a bunch of other people.

"The Day I Tried to Live" has nothing to do with suicide. It's much more meant to be like everyman's story. In spite of how most people present themselves, they probably struggle to feel comfortable or normal around other people, to feel as if they fit in. Everybody wants to and tries to. That's what that song is about. And "Like Suicide" is just a title. It's not about suicide at all.

"Fell On Black Days" was like this ongoing fear I've had for years. It took me a long time to write that song. We've tried to do three different versions with that title, and none of them have ever worked," he said. "It's a feeling that everyone gets. You're happy with your life, everything's going well, things are exciting - when all of a sudden you realize you're unhappy in the extreme, to the point of being really, really scared. There's no particular event you can pin the feeling down to, it's just that you realize one day that everything in your life is fucked!

Guitar.com: he tone of Euphoria Morning is kind of melancholy.

I was depressed for a long time. If you’re depressed long enough, it’s almost a comfort, a state of mind that you’ve made peace with because you’ve been in it so long. It’s a very selfish world.

Something I've done since I was a kid – of opening windows and imagining what it would be like to jump. But I never take it seriously.

I used to work in jobs I hated because I needed the money to buy a guitar. I know what it feels like to be depressed. On the other hand, I also know what it feels like to have money, to be successful, to be independent, but I can tell you that money and success never solve your problems.

I think everybody, no matter how rich or poor, how young or old, has a phase in his life when he's depressive. It's reality. Not a lot of people want to talk about it. Most people rather hide that fact, but it's just one of the facts of life that absolutely fascinates me.

I think we all carry a depressive streak in us but most people just hide it. A lot of people think that entertainment has to be something loud, cheerful and happy. I don't buy into it. Depression can be very inspiring. At least for me it can be. The quiet aspects of life are very important, because let's face it, life is pretty difficult.

I don’t know if you can ever take him [ Andrew Wood ] out of [my heart and soul]. There was a period of time when he would sit in his bedroom across the hall from mine and we would kind of have these dueling four-track demos and songs. He wasn’t doing it for Malfunkshun and me doing it for Soundgarden; it had nothing to do with that. It was us just having fun. Maybe you can look at it as songwriting exercises? We were always kind of neck and neck. We were very different from each other in terms of our approach. He was very free and didn’t necessarily have a critical voice while he was in the process of writing a song. He would just do anything. I on the other hand, not only do I have a critical voice, I have sort of an editorial staff and what that creates is something kind of completely different.

The funeral was very surreal. I was happy for him, because it was packed, and they were showing films of him performing. He was a fuckin’ rock star the day he was born – it didn’t matter if he’d never sold a single record. He was the only rock star I ever met.

I remember a girl once came up to me after one of our shows, and she had a painting of Andy Wood on the back of her leather coat. She said, "I respect you so much for recording a tribute to Andy Wood, because he was so perfect," and then she walked away. Why would she walk away thinking that? Out of whatever songs he wrote and how he died, how did you get that? His lyrics basically said, line for line, "I'm fucked up." He could have written a song called "I'm Fucked Up", and it would have basically summed up a lot of the lyrics he wrote. And this girl wanders away thinking the guy's perfect.

When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason — his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death — if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility — it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.