Chris Cornell Quotes

I have two brothers, one of them was older, he was the guy I thought was the coolest person on earth. I was a little guy and he would beat the shit out of anybody who would fuck with me and sometimes I had to actually beg him not to beat someone up just in case I ran into that person when he wasn't around... He also introduced me to a lot of music and he's a singer-songwriter as well, I'm going to bring him out. This is my brother Peter!

I was a sweet, pretty innocent little kid, but it didn't take long for that to change, for the world to beat me down. But when you have a baby, you suddenly realize that in them you can see that innocence and purity again, and you have the opportunity to protect and nurture that instead of being part of the world that beats it down. You get to be there for as long as you live to help support them and keep some of that alive. You know, it's great to be in a position to be the good guy for a change — it's a much better focus.

Kerrang!: Clare Sharp from Glasgow would like to know what you thought of your mum's appearance in Kerrang! last August - predicting the future for ten rock stars?

I annoyed the shit out of them [my parents] by spending my whole childhood beating on things. I drove them to distraction and I never thought they'd give me a drumkit in a million years. By the time I was 15 my mom had just about given up on me. But she must have figured that at least I had an interest in something other than drugs or being a criminal, so she bought me a snare drum. After a couple of days whacking that, I bought the rest of the kit for $50 from a guy I knew. Two weeks later I was in my first band.

A lot more can happen in the world of singer-songwriters that I appreciate. This storytelling where you have the ability to sit and listen to it because you don’t have other distractions -- you’re not listening to what the bass part is doing, there isn’t an elaborate instrumental arrangement that’s taking you into Middle Earth and back.. For me just as a singer I think you’re able to hear aspects of my voice and my singing and what it conveys in ways you’re not going to on a Soundgarden or an Audioslave record.

I was on tour with Soundgarden, and I remember writing down the title. The title immediately brought up the idea of the song, which is that someone is so distracted by a new person or a new thing in their life that they kind of forgot that they had given up on life. Sometimes it just happens without us even noticing.

It goes back to 1989-1990, when we were at our most aggressive period in Soundgarden, and I just wanted to hear something that wasn’t guitar feedback. I started listening to anything that I could find that was super stripped-down. I bought the Nick Drake boxed set, and my favorite album was Pink Moon, where it’s really just him and a guitar. And then around ’91, I wrote a song called “Seasons” that was on the Singles soundtrack. It just had acoustic guitar and it got radio airplay, and I remember thinking at that point, “One day I’ll make an acoustic album.” It just didn’t happen until now.

That’s one of those songs that kind of happened in one moment. I just picked up a guitar and started playing it, and those lines just came out. I had a dream when I was in Seattle with my wife. I woke up from this dream, and as I woke up it was like I was sort of flying away above us. I remember feeling like our whole life is wrapped up in moments, but we have to be really aware because it’s so short. That was kind of what the song was about to me. We have to be really aware of every moment together. All we really know is that we have this life. Who knows what else is gonna happen? Let’s not let it suddenly be over and we didn’t appreciate it from day to day, from hour to hour, ’cause life’s gonna fly by.

It’s that weird magic of if you sing a song you’re connecting to emotionally, it's going to trick me into feeling my emotions. I'm not feeling your [pain], I don't know what happened to you, but you have just tricked me into feeling my own pain and my own emotions and that is an amazing thing. That's this miraculous thing about music. Film can do it too, art can do it, but music does it great. That’s where making an album like this ['Higher Truth'] is exciting and special. The downside is you pretty much have to do it on every song. You don’t get a free pass unless you write a joke song, which I'm not good at. If I wrote like the [Beatles’] ballad ‘Rocky Raccoon’ or something I could get away from it for a second. A song about a raccoon that gets in a gun fight.

I've always said that my albums are the diaries to my life. I'm not one of those guys who looks out the window and sees something, then goes and runs home and writes about it. It's more constant observation. I'm not a big talker and I'm sort of constantly looking and thinking, and then I remember odd things. I might not remember the list of things you would, I might not remember the things my wife would, for example, but I'll see things that show up later. As I'm sitting and writing a song I find that it sort of becomes about that.

At first to prescription medication and then to pretty much everything. I’d had several years of being in control of my alcoholism. I was pretty reliable; I took care of business. And then when my personal life got out of hand, I just got loaded. So I went through a couple of years of depression again. I didn’t eat, I drank a lot, I started taking pills, and at some point you just get sick of it. I was pretty sure that nothing like that would ever happen to me. Then I ended up having as bad a problem as anyone’s going to have and still be alive. So I realized I’m not special. I’m just like everybody else.

I had a bad PCP [angel dust] experience when I was 14 and I got panic disorder. And of course, I wasn’t telling anyone the truth. It’s not like you go to your dad or your doctor and say, “Yeah, I smoked PCP and I’m having a bad time.” So I became more or less agoraphobic because I’d have flashbacks. From 14 to 16, I didn’t have any friends. I stayed home most of the time. Up till then life was pretty great. The world was big and I felt I could do anything I wanted. Suddenly, I felt like I couldn’t do anything. But in the isolation, my imagination really had time to run. I never did any drugs until my late 20s. Unfortunately, being a child of two alcoholics, I started drinking a lot, and that’s what eventually got me back into drugs. You often hear that pot leads to harder drugs. But I think alcohol is what leads you to everything, because it takes away the fear. The worst drug experimentation I ever did was because I was drunk and didn’t care.

Oddly enough, I was in Paris, the last show of a Soundgarden tour. I didn't know him that well, but I had friends who were trying to talk to him and it wasn't working out. I had this idea that when I got home, I'd try and sit down with him.

It's definitely a different world. Smoking is bad for your voice, for sure, but you learn to function in that world of bad. Now I'm in better shape, and I'm much more physical onstage, but I have to watch getting winded. Once I'm winded, I don't sing right. I would have smoked three cigarettes already during this interview [laughs].

Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.