Calmly We Walk Through This April Day
Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)
(This is the school in which we learn...)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn . . .)
Ravished entirely in their passing play!
(...that time is the fire in which they burn.)
Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;
Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.
American poet (1913–1966)
Delmore Schwartz (December 8 1913 – July 11 1966) was an American poet and short story writer.
Bio from: Wikiquote (CC BY-SA 4.0)
The Choir And Music Of Solitude And Silence -
Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure’s pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the
sons and daughters of morning sang,
Meant and means that they were and they are the children
of God and morning,
Delighting in the lights of becoming and the houses of
being,
Taking pleasure in measure and excess, in listening as in
seeing.
Love is the most difficult and dangerous form of courage.
Courage is the most desperate, admirable and noble kind of
love.
So that when the great blue bell of silence is stilled and
stopped or broken
By the babel and chaos of desire unrequited, irritated and
frustrated,
When the heart has opened and when the heart has spoken
Not of the purity and symmetry of gratification, but action
of insatiable distraction’s dissatisfaction,
Then the heart says, in all its blindness and faltering
emptiness:
There is no God. Because I am hope. And hope must be
fed.
And then the great blue bell of silence is deafened, dumbed,
and has become the tomb of the living dead.
"The True-Blue American"
Jeremiah Dickson was a true-blue American,
For he was a little boy who understood America, for he felt that he must
Think about everything; because that’s all there is to think about,
Knowing immediately the intimacy of truth and comedy,
Knowing intuitively how a sense of humor was a necessity
For one and for all who live in America. Thus, natively, and
Naturally when on an April Sunday in an ice cream parlor Jeremiah
Was requested to choose between a chocolate sundae and a banana split
He answered unhesitatingly, having no need to think of it
Being a true-blue American, determined to continue as he began:
Rejecting the either-or of Kierkegaard, and many another European;
Refusing to accept alternatives, refusing to believe the choice of between;
Rejecting selection; denying dilemma; electing absolute affirmation: knowing
in his breast
The infinite and the gold
Of the endless frontier, the deathless West.
“Both: I will have them both!” declared this true-blue American
In Cambridge, Massachusetts, on an April Sunday, instructed
By the great department stores, by the Five-and-Ten,
Taught by Christmas, by the circus, by the vulgarity and grandeur of
Niagara Falls and the Grand Canyon,
Tutored by the grandeur, vulgarity, and infinite appetite gratified and
Shining in the darkness, of the light
On Saturdays at the double bills of the moon pictures,
The consummation of the advertisements of the imagination of the light
Which is as it was — the infinite belief in infinite hope — of Columbus,
Barnum, Edison, and Jeremiah Dickson.
When I was a young man, I loved to write poems
And I called a spade a spade
And the only only thing that made me sing
Was to lift the masks at the masquerade.
I took them off my own face,
I took them off others too
And the only only wrong in all my song
Was the view that I knew what was true.
Now I am older and tireder too
And the tasks with the masks are quite trying.
I’d gladly gladly stop if I only only knew
A better way to keep from lying,
And not get nervous and blue
When I said something quite untrue:
I looked all around and all over
To find something else to do:
I tried to be less romantic
I tried to be less starry-eyed too:
But I only got mixed up and frantic
Forgetting what was false and what was true.
But tonight I am going to the masked ball,
Because it has occurred to me
That the masks are more true than the faces: — Perhaps this too is poetry?
I no longer yearn to be naïve and stern
And masked balls fascinate me:
Now that I know that most falsehoods are true
Perhaps I can join the charade?
This is, at any rate, my new and true view:
Let live and believe, I say.
The only only thing is to believe in everything:
It’s more fun and safer that way!
"The Poet"
The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing
Unable to respond to anything which does not bring love
quickly or immediately.
...The poet must be innocent and ignorant
But he cannot be innocent since stupidity is not his strong
point
Therefore Cocteau said, "What would I not give
To have the poems of my youth withdrawn from
existence?
I would give to Satan my immortal soul."
This metaphor is wrong, for it is his immortal soul which
he wished to redeem,
Lifting it and sifting it, free and white, from the actuality of
youth's banality, vulgarity,
pomp and affectation of his early
works of poetry.
So too in the same way a Famous American Poet
When fame at last had come to him sought out the fifty copies
of his first book of poems which had been privately printed
by himself at his own expense.
He succeeded in securing 48 of the 50 copies, burned them
And learned then how the last copies were extant,
As the law of the land required, stashed away in the national capital,
at the Library of Congress.
Therefore he went to Washington, therefore he took out the last two
copies
Placed them in his pocket, planned to depart
Only to be halted and apprehended. Since he was the author,
Since they were his books and his property he was reproached
But forgiven. But the two copies were taken away from him
Thus setting a national precedent.
For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems,
For William James, the lovable genius of Harvard
spoke the terrifying truth: "Your
In the Naked Bed, in Plato’s Cave
In the naked bed, in Plato’s cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman’s chop,
His striving up the stair, the bottle’s chink,
I rose from bed, lit a cigarette,
And walked to the window. The stony street
Displayed the stillness in which buildings stand,
The street-lamp’s vigil and the horse’s patience.
The winter sky’s pure capital
Turned me back to bed with exhausted eyes.
Strangeness grew in the motionless air. The loose
Film grayed. Shaking wagons, hooves’ waterfalls,
Sounded far off, increasing, louder and nearer.
A car coughed, starting. Morning, softly
Melting the air, lifted the half-covered chair
From underseas, kindled the looking-glass,
Distinguished the dresser and the white wall.
The bird called tentatively, whistled, called,
Bubbled and whistled, so! Perplexed, still wet
With sleep, affectionate, hungry and cold. So, so,
O son of man, the ignorant night, the travail
Of early morning, the mystery of beginning
Again and again,
while History is unforgiven.
"No," said Jacob, "I don't mean to say that this life is just a party, any kind of party. It is a wedding, the most important kind of party, full of joy, fear, hope, and ignorance. And at this party there are enough places and parts for everyone, and if no one can play every part, yet everyone can come to the party, everyone can come to the wedding feast, and anyone who does not know that he is at a wedding feast just does not see what is in front of him. He might as well be dead if he does not know that the world is a wedding."
Works in ChatGPT, Claude, or Any AI
Add semantic quote search to your AI assistant via MCP. One command setup.
In the morning, when it was raining
In the morning, when it was raining,
Then the birds were hectic and loudy;
Through all the reign is fall's entertaining;
Their singing was erratic and full of disorder:
They did not remember the summer blue
Or the orange of June. They did not think at all
Of the great red and bursting ball
Of the kingly sun's terror and tempest, blazing,
Once the slanting rain threw over all
The colorless curtains of the ceaseless spontaneous fall.
"Socrates Ghost Must Haunt Me Now"
Socrates ghost must haunt me now,
Notorious death has let him go,
He comes to me with a clumsy bow,
Saying in his disused voice,
That I do not know I do not know,
The mechanical whims of appetite
Are all that I have of conscious choice,
The butterfly caged in eclectic light
Is my only day in the world's great night,
Love is not love, it is a child
Sucking his thumb and biting his lip,
But grasp it all, there may be more!
From the topless sky to the bottomless floor
With the heavy head and the fingertip:
All is not blind, obscene, and poor.
Socrates stands by me stockstill,
Teaching hope to my flickering will,
Pointing to the sky's inexorable blue — -Old Noumenon, come true, come true!
But this, this which we say before we’re sorry,
This which we live behind our unseen faces,
Is neither dream, nor childhood, neither
Myth, nor landscape, final, nor finished,
For we are incomplete and know no future,
And we are howling or dancing out our souls
In beating syllables before the curtain:
We are Shakespearean, we are strangers.