Edward Gibbon Quotes

The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful.

Gibbon, Edward. HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE COMPLETE VOLUMES 1 - 6

All that is human must retrograde if it does not advance.

"لقد حكمت البلاد لمدة أربعين عاما ... مرهوبا من أعدائي ... محبوبا من أصدقائي ... محترما من خصومي ... لم يعوزني شيء من النعيم الأرضي ... و لكن لقد قمت باحصاء عدد الأيام التي كنت سعيدا فيها سعادة حقيقية بدقة بالغة ... لقد أربت علي الأربعة عشر يوما ... أيها الانسان لا تضع ثقتك في هذا العالم الأرضي"
عبد الرحمن (الناصر) نقلا عن جيبون

The Extent Of The Empire In The Age Of The Antonines — Part I.

They encouraged the public festivals which humanize the manners of the people. They managed the arts of divination, as a convenient instrument of policy; and they respected as the firmest bond of society, the useful persuasion, that, either in this or in a future life, the crime of perjury is most assuredly punished by the avenging gods.9 But whilst they acknowledged the general advantages of religion, they were convinced, that the various modes of worship contributed alike to the same salutary purposes; and that, in every country, the form of superstition, which had received the sanction of time and experience, was the best adapted to the climate, and to its inhabitants.

I sighed as a lover, I obeyed as a son.

HISTORY OF THE DECLINE AND FALL
OF THE ROMAN EMPIRE

The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.

The names of Seneca, of the elder and the younger Pliny, of Tacitus, of Plutarch, of Galen, of the slave Epictetus, and of the emperor Marcus Antoninus, adorn the age in which they flourished, and exalt the dignity of human nature. They filled with glory their respective stations, either in active or contemplative life; their excellent understandings were improved by study; philosophy had purified their minds from the prejudices of the popular superstition; and their days were spent in the pursuit of truth and the practice of virtue. Yet all these sages (it is no less an object of surprise than of concern) overlooked or rejected the perfection of the Christian system. Their language or their silence equally discover their contempt for the growing sect which in their time had diffused itself over the Roman empire. Those among them who condescend to mention the Christians consider them only as obstinate and perverse enthusiasts, who exacted an implicit submission to their mysterious doctrines, without being able to produce a single argument that could engage the attention of men of sense and learning.

In the cool shade of retirement, we may easily devise imaginary forms of government, in which the sceptre shall be constantly bestowed on the most worthy, by the free and incorrupt suffrage of the whole community. Experience overturns these airy fabrics, and teaches us, that in a large society, the election of a monarch can never devolve to the wisest, or to the most numerous part of the people. The army is the only order of men sufficiently united to concur in the same sentiments, and powerful enough to impose them on the rest of their fellow-citizens; but the temper of soldiers, habituated at once to violence and to slavery, renders them very unfit guardians of a legal, or even a civil constitution. Justice, humanity, or political wisdom, are qualities they are too little acquainted with in themselves, to appreciate them in others. Valor will acquire their esteem, and liberality will purchase their suffrage; but the first of these merits is often lodged in the most savage breasts; the latter can only exert itself at the expense of the public; and both may be turned against the possessor of the throne, by the ambition of a daring rival.

I cannot repress my indignation at the use of those foolish obsolete, odious, words Whig and Tory.

History is indeed little more than the register of crimes, follies, and misfortunes of mankind.

The uncommon abilities and fortune of Severus have induced an elegant historian to compare him with the first and greatest of the Cæsars. The parallel is, at least, imperfect. Where shall we find, in the character of Severus, the commanding superiority of the soul, the generous clemency, and the various genius, which could reconcile and unite the love of pleasure, the thirst of knowledge, and the fire of ambition? ⁴⁴

⁴⁴ Though it is not, most assuredly, the intention of Lucan to exalt the character of Cæsar, yet the idea he gives of that hero, in the tenth book of the Pharsalia, where he describes him, at the same time making love to Cleopatra, sustaining a siege against the power of Egypt, and conversing with the sages of the country, is, in reality, the noblest panegyric.

The value of money has been settled by general consent to express our wants and our property, as letters were invented to express our ideas; and both these institutions, by giving a more active energy to the powers and passions of human nature, have contributed to multiply the objects they were designed to represent.

"Edward Gibbon, in his classic work on the fall of the Roman Empire, describes the Roman era's declension as a place where "bizarreness masqueraded as creativity.