Canadian painter and writer (1871–1945)
Where be I? – Mercy! I came for a pup! That’s where I be. ‘Usband says when we was changin’ shifts walkin’ son last night. ‘Try a pup, Mother’ ‘e sez- ‘We’ve tried rattles an’ bells an’ tyos. Try a live pup to soothe ‘is frettiness.’ So I come. ‘Usband sez, ‘Git a pup same age as son’ – Sooner ‘ave one ‘ouse-broke me’self – wot yer got?”
“I have pups three months old”
‘Ezzact same age as son! Bring ‘em along.”
She inspected the puppy, running an experienced finger round her gums.
“Toothed a’ready! ‘E’ll do.”
She tucked the pup into the pram beside the baby who immediately seized the dog’s ear and began to chew. The pup as immediately applied himself greedily to the baby’s bottle and began to suck.
Why must these people go on, and on, copying, copying fragments of old relics from extinct churches, and old tombs as though those were the best that could ever be, and it would be a sacrilege to beat them? Why didn't they want to out-do the best, instead of copying, always copying what had been done?
In the early morning the dogs burst from their sleeping quarters to bunch by the garden gate, panting for a race across Beacon Hill Park. Springs that wound themselves tighter and tighter in their bodies all night would loose with a whir on the opening of the garden gate. Ravenous for liberty, the dogs tore across the ball grounds at the base of Beacon Hill, slackened their speed to tag each other, wheeled back, waiting to climb the hill with me.
For one moment the morning took you far out into vague chill, but your body snatched you back into its cosiness, back to the waiting dogs on the hill top. They could not follow out there, their world was walled, their noses trailed the earth. What a dog cannot hear or smell he distrusts; unless objects are close or move he does not observe them. His nature is to confirm what he sees by his sense of sound or of smell.