Cell differentiation can turn neurons into everything from clocks that control circadian rhythms to photoreceptors that convert light into electrical-chemical impulses or decision makers that tally votes and decide courses of action. In the retina (often used as a case study because it can be directly and naturally stimulated), there are at least fifty different kinds of neurons specialized to different tasks, such as looking for motion, recognizing colors, detecting objects in low light, and measuring brightness and contrast. In the brain as a whole, there may be as many as 10,000 different kinds of neurons, each contributing to a different aspect of mental life.

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"How does the body push the comparatively tiny genome so far? Many researchers want to put the weight on learning and experience, apparently believing that the contribution of the genes is relatively unimportant. But though the ability to learn is clearly one of the genome's most important products, such views overemphasize learning and significantly underestimate the extent to which the genome can in fact guide the construction of enormous complexity. If the tools of biological self-assembly are powerful enough to build the intricacies of the circulatory system or the eye without requiring lessons from the outside world, they are also powerful enough to build the initial complexity of the nervous system without relying on external lessons.

The discrepancy melts away as we appreciate the true power of the genome. We could start by considering the fact that the currently accepted figure of 30,000 could well prove to be too low. Thirty thousand (or thereabouts) is, at press time, the best estimate for how many protein-coding genes are in the human genome. But not all genes code for proteins; some, not counted in the 30,000 estimate, code for small pieces of RNA that are not converted into proteins (called microRNA), of "pseudogenes," stretches of DNA, apparently relics of evolution, that do not properly encode proteins. Neither entity is fully understood, but recent reports (from 2002 and 2003) suggest that both may play some role in the all-important process of regulating the IFS that control whether or not genes are expressed. Since the "gene-finding" programs that search the human genome sequence for genes are not attuned to such things-we don't yet know how to identify them reliably-it is quite possible that the genome contains more buried treasure."

"A major push is under way to figure out the molecular basis of those "critical" or "sensitive" periods, to figure out how the brain changes as certain learning abilities come and go. In some, if not all, of those mammals that have the alternating stripes in the visual cortex known as ocular dominance columns, those columns can be adjusted early in development, but not in adulthood. A juvenile monkey that has one eye covered for an extended period of time can gradually readjust its brain wiring to favor the open eye; an adult monkey cannot adjust its wiring. At the end of a critical period, a set of sticky sugar-protein hybrids known as proteoglycans condenses into a tight net around the dendrites and cell bodies of some of the relevant neurons, and in so doing those proteoglycans appear to impede axons that would otherwise be wriggling around as part of the process of readjusting the ocular dominance columns; no wriggling, no learning. In a 2002 study with rats, Italian neuroscientist Tommaso Pizzorusso and his colleagues dissolved the excess proteoglycans with an antiproteoglycan enzyme known as "chABC," and in so doing managed to reopen the critical period. After the chABC treatment, even adult rats could recalibrate their ocular dominance columns. ChABC probably won't help us learn second languages anytime soon, but its antiproteoglycan function may have important medical implications in the not-too-distant future. Another 2002 study, also with rats, showed that chABC can also promote functional recovery after spinal cord injury."

But the real story is how narrow Duplex was. For all the fantastic resources of Google (and its parent company, Alphabet), the system that they created was so narrow it could handle just three things: restaurant reservations, hair salon appointments, and the opening hours of a few selected businesses. By the time the demo was publicly released, on Android phones, even the hair salon appointments and the opening hour queries were gone. Some of the world’s best minds in AI, using some of the biggest clusters of computers in the world, had produced a special-purpose gadget for making nothing but restaurant reservations. It doesn’t get narrower than that.

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"But nobody is born being able to hear [intervals], and many people never master them. Some people never even notice that "Twinkle, Twinkle, Little Star" and "The Alphabet Song" follow the same melody (and hence consist of the same sequence of intervals)."

If there is not preformation, and no blueprint, there is also no getting away from the environment. Genes do not guarantee particular products; rather, they provide particular options: To every gene there is an IF, and with that IF comes an option. In many cases, those options are selected based on cues from the environment, and it is for that reason, more than any other, that the answer to the nature-nurture question is not one or the other, but both.

"To take one example, even a brief exposure to light in a newborn kitten, rat, or monkey can launch a complex cascade of gene expression. The light activates photoreceptors-which send signals-which trigger a pathway-which leads to the expression of neural growth factors and a set of genes known as "immediate early genes" or "early response genes"-each of which, in turn, triggers the expression of many more genes. One study of cichlid fish suggests that a change in social status (from submissive to dominant) is tied to changes in the expression levels of at least fifty-nine different genes-a phenomenon not entirely unrelated to the testosterone rush that Joe-six-pack gets when the home team wins."

To mention a colorful example, the nineteenth-century German scientist Karl Vogt once wrote that “thoughts stand in the same relation to the brain as gall does to the liver or urine to the kidneys.” When he expressed this idea in public, a philosopher interjected that the longer one listens to Professor Vogt, the more one tends to believe him. Clearly, more sophisticated ideas and models are in demand.

Honey bees, too, use a highly specialized learning mechanism to help them figure out where they are going: the difference is that their system works based on the trajectory of a single star, our very own sun. Once again, part of the system is prewired, but part of it requires learning. The prewired bit is a mathematical function that relates the sun's position on the horizon to to a bee's orientation-but some of the values of the equation must be set, which is where learning comes in. What the bee learns is a highly specific bit of information about the sun's trajectory at the bee's particular latitude at a particular time of year. A five o'clock winter sun in Boston means something very different from a five o'clock summer sun in California, and a highly focused learning mechanism allows honeybees to take advantage of that information. We know that bees don't simply memorize a correspondence between particular places on the horizon and particular headings, because bees that have been raised in conditions in which they are exposed only to morning light can accurately use the sun as a guide during evening light.

There are, of course, many reasons to think that brains operate mostly in parallel. Individual neurons are too slow to allow brains to operate in strict serial von Neumann fashion, and ample data suggest that in any given laboratory task (and by extension, any real-world situation) many different parts of the brain are engaged simultaneously.

"Repetition sometimes works in poetry, but rarely in prose. The musical provocateur John Cage once wrote a lecture in which a single page was repeated fourteen times, with the refrain "If anybody is sleep let him go to sleep" (Cage, 1961). Midway through, the artist Jean Reynal stood up and screamed, "John, I dearly love you, but I can't bear another minute.