George Sand Quotes

but he was in love and nothing more. He had made her acquaintance because he had nothing else to do, perhaps, and success had kindled his desires; he had obtained more than he asked, and on the day that he triumphed over that easily vanquished heart he returned home dismayed by his victory, and said to himself, striking his forehead: “God grant that she doesn’t love me!” Thus it was not until after he had accepted all the proofs of her love that he began to suspect the existence of that love. Then he repented, but it was too late; he must either resign himself to what the future might have in store, or retreat like a coward toward the past. Raymon did not hesitate; he allowed himself to be loved, he loved in return for gratitude; he scaled the walls of the Delmare estate from the love of danger; he had a terrible fall from awkwardness; and he was so touched by his lovely mistress’s grief that he deemed himself justified thenceforth in his own eyes in continuing to dig the pit into which she was destined to fall.

"[On Chopin's Preludes:]

"His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.

The world will know and understand me someday. But if that day does not arrive, it does not greatly matter. I shall have opened the way for other women.

Masterpieces are only lucky attempts.

"My good aunt Lucie was on the eve of marriage with an officer who was a friend of my father, and they were all celebrating in the intimacy of the family. My mother was wearing a pretty dress the color of roses. They were dancing a quadrille composed by my father, as he played on his faithful Cremona violin. . . . My mother, feeling a slight malaise, left the dance and went to her bedroom. Since she showed no signs of indisposition and had left so quietly, the dancing continued. My aunt Lucie, as it was ending, went to my mother's bedroom, and almost immediately she was heard to cry, "Come, come quickly, Maurice, you have a daughter!"

"She shall be called Aurore," said my father, "after my poor, dear mother, who is not here to bless her, but who will someday!"
And he took me in his arms. . . .
"She was born to the sound of music and in the color of
roses," said my aunt. "She will know happiness.