Grace Paley Quotes

I begin every class, for instance, with the reading of poems, of something somebody thinks is beautiful. Like sort of a ritual, like saying grace, or thank you God, or something. Somebody comes in and picks up a poem and reads a poem by George Herbert or reads a poem by almost anybody. Somebody read two pages of Faulkner yesterday. I want them to read something they love. So at least two poems are read at the beginning of class-or fiction. (1986)

I always think that the writer's role is to get off her or his ass and to get on the street and do something. But that answer does not satisfy people. But to me that's a very important thing. (1985)

I'm really involved in a lot of feminist anti-militarist work. I've linked things together with my anti-war stuff. Many feminists don't see it that way, by the way. There are a lot of divisions. Women say that's not feminism; feminism is equal rights, day care, battered women, abortion. But they don't see the connection between the patriarchy of militarism and the patriarchy of ordinary daily life. They don't like that patriarchy but they don't seem to mind so much the patriarchy of intervention in Central America. (1985)

My generation really grew up at a very scary time. This time is probably twice as scary, but since we didn't know this time was coming-the Second World War was coming, the Spanish Civil War was happening when I was in high school. Mussolini had invaded Ethiopia and made all those idiotic statements that are famous to this day. Like how beautiful it was to bomb the Ethiopians. The Italian kids in my school were in heaven, they were so delighted and proud they were fainting with joy. It was a scary time. Hitler was coming inch by inch by inch. I remember my parents talking about it. (1985)

One of the horses history rides is language. Fifteen years ago, maybe ten, in my fifties, I wouldn't have noticed the word mankind at all. And here in 1986, a six-year-old person heard the word in all its meaning. (1985)

I'd been writing poetry until about 1956, and then I just sort of made up my mind that I had to write stories. I love the whole tradition of poetry, but I couldn't figure out a way to use my own Bronx English tongue in poems. I can now, better, but those early poems were all very literary; they picked up after whatever poet I was reading. They used what I think of as only one ear: you have two ears, one is for the sound of literature and the other is for your neighborhood, for your mother and father's house. (1982)

All of art is political; if a writer says this is not political, it's probably the most political thing that he could be doing. That's a statement of an alienation problem. I would say that my interest in ordinary life and how people live is a very political one. That's politics; that's what it is. (1982)

Someone like Mary Daly doesn't even know how people live-but other women, I think they come from suburban lives or something like that, and no family. That's a certain kind of life but it's not general female life. (1981)

you're in love many times in your life, several times in one's life. And romantic love is very... a lot of fun, I don't want to knock it. With all the troubles that come afterward, and it may all be a lie and imposed on us, but falling in love is peachy. And if it can happen to you, boy, that's great. And if it doesn't, then by all means, you should stick to your friends. (1981)

I think people have writer's block because they don't really write things down. Their minds are too linear. You have blocks when either you have nothing to write about or you are just going dead ahead. If you just write, if you realize what your mind is and that it's always working, you're always wondering, you're always curious, you're always thinking about things. (1980)

People move around too much, and they become afraid to speak their own language. (1980)

I never think about marriage. I never write about marriage. I do think a lot about family. I think about love and family (1980)

the world may not last. Just the other day Ronald Reagan said that the arms race is necessary. He has to be insane. INSANE! And all the people listening. They have to be insane too. (1980)

I think a lot of what influences a writer is what you hear in the street, the language you hear, the way people talk, the way, the rhythms, the song, the language of your childhood. (1980)

Concentration is really a problem for me. To seize something. But when I really have a story I'm working on, I can work on it sitting in a train, going to Washington, any place, anywhere. It's totally absorbing. (1980)