Grace Paley Quotes

There’s hardly a woman writer who doesn’t receive some kind of support from the women’s movement. We’re very lucky to be living and writing now.

I will say I knew I wanted to write about women and children, but I put it off for a couple of years because I thought, People will think this is trivial, nothing. Then I thought, It’s what I have to write. It’s what I want to read. And I don’t see it out there. Meanwhile, the women’s movement had begun to gather force. It needed to become the second wave. It turned out that we were some of the drops in the wave. Tillie Olsen was more like a cupful.

I’ve been surrounded by music for most of my life. Always classical. But I think the most powerful sounds are those voices, those childhood voices. The tune of those voices. Other languages, Russian and Yiddish, coming up smack against the English. I think you hear that a lot in American literature.

Russian is very dear to me because it’s a family language, but I am Jewish-Russian, which is a little different from Russian-Russian. My family ran away in 1905 from the Russian-Russians.

I read poetry all the time. Probably the poets everybody read then. Very catholic taste. I even loved Eliot then whom I later grew not to love. I knew lots of poems by memory and walked around mumbling them. Yeats, Rilke, Keats, Coleridge. I liked Milton a lot, for some reason. And then there were the Oscar Williams anthologies of 1942 and 1943 with those pictures of the beautiful young poets.

(Are there any men you think write particularly well about women?) I liked Norman Rush’s last book, Mating. The main character is a very smart woman, very intellectual, very interesting, and very unlike many of the women many women write about.

what’s a writer for? The whole point is to put yourself into other lives, other heads—writers have always done that. If you screw up, so someone will tell you, that’s all. I think men can write about women and women can write about men. The whole point is to know the facts. Men have so often written about women without knowing the reality of their lives, and worse, without being interested in that daily reality.

A lot of them (my stories) begin with a sentence—they all begin with language...Very often one sentence is absolutely resonant...The sound of the story comes first.

there’s always that first storytelling impulse: I want to tell you something...

Writers often write about what they want to read or haven’t seen written.

it was kind of exhausting running after two babies. Still, looking back I see the pleasure of it. That’s when I began to know women very well—as co-workers, really...If I hadn’t spent that time in the playground, I wouldn’t have written a lot of those stories.

we had our normal family life—struggles and hard times. That takes up a lot of time, hard times. Uses up whole days.

That word identity has been hard for many women who live secular lives and maybe harder for religious women and also feminists. But the women's movement has made a big difference. I don't know who it hasn't helped in this world. It's given a lot of Jewish women courage to stay Jewish and fight.

You can't talk about anything without bringing in the world. It's out there.

If you I live long enough you really become patient. People improve. If they're already wonderful, they become slowly more wonderful.