even when my kids were smaller, you had three — people like me had three things to do. They had the family to take care of and to worry about. And they had our political lives to lead — I mean, I should say the business of the war or whatever it was. And then we also had our work, our life work, which for me was literature, which I — which was my great good luck that I had that, because it enabled me to think in another way than a lot of other people. (2003)
American writer and activist (1922–2007)
Grace Paley (December 11 1922 – August 22 2007) was a Jewish American short story writer, poet, teacher, and political activist. The 1994 edition of her Collected Stories was a finalist for both the National Book Award and the Pulitzer Prize.
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I’d never known pacifists before. My parents were very peaceful people and socialists, and they were always against all wars, but pacifism was not a Russian socialist idea. Somebody invited (peace and civil rights activist and WRL staffer) Bayard Rustin to talk, and Mary Gandall and I listened to him with our mouths open. We were both so impressed—it was like the good news, as they say about Jesus. We were getting very good news about how to think about the world. (2000)
People say the Vietnamese won the war. They did not win the war, the U.S. won the war, just by leaving and starving them to death. You don’t say somebody won the war in a medieval town which is under constant siege. Until the U.S. is certain that the Vietnamese lost the war, until they’re absolutely certain that their condition is totally hopeless, we’re not gonna help them. (2000)
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the possibility is that what we need right now is to imagine the real. That is where our leaders are falling down and where we ourselves have to imagine the lives of other people. So men-who get very pissed at me sometimes, even though I really like some of them a lot-men have got to imagine the lives of women, of all kinds of women. Of their daughters, of their own daughters, and of the lives that their daughters lead. White people have to imagine the reality, not the invention but the reality, of the lives of people of color. Imagine it, imagine that reality, and understand it. We have to imagine what is happening in Central America today, in Lebanon and South Africa. We have to really think about it and imagine it and call it to mind, not simply refer to it all the time. What happens is that when you just keep referring to things, you lose them entirely. But what if you think in terms of the life of the people, you really have to keep imagining. You have to think of the reality of what is happening down there, and you have to imagine it...that's one of the things that's most encouraging to me: to think that some of these young guys have been listening, and imagining the lives of their daughters in a new way, and thinking about it, and wanting something different for them. That is what some of imagining is about.
We were accused of having been doomstruck the other day. And in a way we should be, why shouldn't we be? Things are rotten. I'm sixty-one and three-quarters years old and I've seen terrible times during the Depression, and I do think the life of the people was worse during the McCarthy period. I just want to throw that in extra. That is to say the everyday life, the fearful life, of Americans was harder in that time than this. But the objective facts of world events right now are worse than at any other time. And we all know that, we can't deny it, and it's also true that it's very hard to look in the faces of our children, and terrifying to look into the faces of our grandchildren. And I cannot look at my granddaughter's face, really, without shading my eyes a little bit and saying, "Well, listen, Grandma's not going to let that happen." But we have to face it, and they have to face it, just as we had to face what was much less frightening.
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one of the things that art is about, for me, is justice. Now, that isn't a matter of opinion, really. That isn't to say, "I'm going to show these people right or wrong" or whatever. But what art is about-and this is what justice is about, although you'll have your own interpretations-is the illumination of what isn't known, the lighting up of what is under a rock, of what has been hidden. And I think people feel like that who are beginning to write.
writers who are young or maybe just young in writing. To tell them that no matter what you feel about what you're doing, if that is really what you're looking for, if that is really what you're trying to understand, if that is really what you're stupid about, if that's what you're dumb about and you're trying to understand it, stay with it, no matter what, and you'll at least live your own truth or be hung for it.