British author who promotes pseudoscientific theories
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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If the normal portolano is indeed derived from the lost atlas of Marinus of Tyre, then it follows that other high-quality maps of regions much further afield than the Mediterranean and the Black Sea, and indeed a world map, might also have been preserved by the Arabs — for we know from Ptolemy's testimony that other Marinus maps, including a world map, did once exist. It will therefore do no harm to keep an open mind to the possibility that the portolan world maps that began to appear during the century after the Carta Pisane, might also have been influenced by earlier 'Tyrian sea-fish' maps of Phoenician origin. Christopher Columbus, whose passionate belief in lands across the Atlantic lead to his 'discovery' of the New World, seems to hint at a Phoenician connection when he describes one of the inspirations for his journey:
'Aristotle in his book On Marvellous Things reports a story that some Carthaginian merchants sailed over the Ocean Sea to a very fertile island ... this island some Portuguese showed me on their charts under the name Antilia.'
Antilia first appears on a portolan chart of 1424. It is a mysterious presence there, a riddle.
As the discoverer and principal excavator of Murray Springs, [...] Haynes deserves credit for drawing attention to a very curious aspect of the site — a distinct dark layer of soil draped 'like a shrink-wrap,' as Allen West puts it, over the top of the Clovis remains and of the extinct megafauna — including Eloise.
Haynes has identified this 'black mat' (his term) not only at Murray Springs but at dozens of other sites across North America, and was the first to acknowledge its clear and obvious association with the Late Pleistocene Extinction Event. he speaks of the 'remarkable circumstances' surrounding the event, the abrupt die-off on a continental scale of all large mammals 'immediately before deposition of the ... black mat,' and the total absence thereafter of 'mammoth, mastodon, horse, camel, dire wold, American lion, tapir and other [megafauna], as well as Clovis people.'
Haynes notes also that 'The basal black mat contact marks a major climate change from the warm dry climate of the terminal Allerod to the glacially cold Younger Dryas.'
From roughly 18,000 years ago, and for several thousand years thereafter, global temperatures had been slowly but steadily rising and the ice sheets melting. Our ancestors would have had reason to hope that earth's long winter was at last coming to an end and that a new era of congenial climate beckoned. This process of warming became particularly pronounced after about 14,500 years ago. Then suddenly, around 12,800 years ago, the direction of climate change reversed and the world turned dramatically, instantly cold — as cold as it had been at the peak of the Ice Age many thousands of years earlier. This deep freeze — the mysterious epoch now known as the Younger Dryas — lasted for approximately 1,200 years until 11,600 years ago, at which point the climate flipped again, global temperatures shot up rapidly, the remnant ice sheets melted and collapsed into the oceans, and the world became as warm as it is today.
Another scene from universal myth unfolds — here powerfully reminiscent of the Underworld quests of Orpheus for Eurydice and of Demeter for Persephone. The ancient Japanese recension of this mysteriously global story is given in the Kojiki and the Nihongi, where we read that Izanagi, mourning for his dead wife, followed after her to the Land of Yomi in an attempt to bring her back to the world of the living:
'Izanagi-no-Mikoto went after Izanami-no-Mikoto and entered the Land of Yomi ... So when from the palace she raised the door and came out to meet him, Izanagi spoke saying; 'My lovely younger sister! The lands that I and thou made are not yet finished making; so come back!'
Izanami is honoured by Izanagi's attention and minded to return. But there is one problem. She has already eaten food prepared in the Land of Yomi and this binds her to the place, just as the consumption of a single pomegranate seed binds Persephone to hell in the Greek myth.
Is it an accident that ancient Indian myth also contains the same idea? In the Katha Upanishad a human, Nachiketas, succeeds in visiting the underworld realm of Yama, the Hindu god of Death (and, yes, scholars have noted and commented upon the weird resonance between the names and functions of Yama and Yomi). It is precisely to avoid detention in the realm of Yama that Nachiketas is warned:
'Three nights within Yama's mansion stay / But taste not, though a guest, his food.'
So there's a common idea here — in Japan, in Greece, in India — about not eating food in the Underworld if you want to leave. Such similarities can result from common invention of the same motif — in other words, coincidence. They can result from the influence of one of the ancient cultures upon the other two, i.e. cultural diffusion. Or they can result from an influence that has somehow percolated down to all three, and perhaps to other cultures, stemming from an as yet unidentified common source.
It was Cesare Emiliani who first drew serious attention to the possibility of post-glacial superfloods. In a paper published in Science magazine in 1975, he and a group of colleagues presented startling evidence from deep-sea cores from the north-eastern part of the Gulf of Mexico. The evidence revealed 'a 2.4 per cent isotopic anomaly between 12,000 and 11,000 years ago', which the authors correctly interpreted as having been caused by 'the occurrence of major flooding of ice meltwater into the Gulf of Mexico ... centring at about 11,600 years before the present'.
We're in the hands of real magicians here, and real magicians know that with symbols. with the right symbols, with the right questions. they can lead you into initiating yourself. Provided, that is, you are a person who asks questions. And, if you are, then the minute you start asking questions about the pyramids you begin to stumble into a whole series of answers which lead you to other questions, and then more answers until finally you initiate yourself… ~Robert Bauval
The Younger Dryas impacts, and subsequent sustained cataclysm, changed the face of the earth completely and wrought particularly significant havoc across North America. We have considered the question of huge volumes of meltwater released into the Arctic and Atlantic Oceans from the destabilized ice sheet and looked at the effects on global climate. But keep in mind that those enormous floods also devastated the rich North American mainland to the south, perhaps the best and most bounteous real estate then available anywhere.
This immense and extraordinary deluge, 'possibly the largest flood in the history of the world,' swept away and utterly demolished everything that lay in its path. Jostling with icebergs, choked by whole forests ripped up by their roots, turbulent with mud and boulders swirling in the depths of the current, what the deluge left behind can still be seen in something of its raw form in the Channeled Scablands of the state of Washington today — a devastated blank slate [...] littered with 10,000-ton 'glacial erratics,' immense fossilized waterfalls, and 'current ripples' hundreds of feet long and dozens of feet high.
If there were cities there, before the deluge, they would be gone.
If there was any evidence of anything that we would recognize as technology there, before the deluge, it would be gone.
Connecting the great universal myths of cataclysm, is it possible that
such coincidences that cannot be coincidences, and accidents that cannot
be accidents, could denote the global influence of an ancient, though as
yet unidentified, guiding hand? If so, could it be that same hand, during
and after the last Ice Age, which drew the series of highly accurate and
technically advanced world maps reviewed in Part I? And might not that
same hand have left its ghostly fingerprints on another body of universal
myths? those concerning the death and resurrection of gods, and great
trees around which the earth and heavens turn, and whirlpools, and
churns, and drills, and other similar revolving, grinding contrivances?
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a team of Japanese engineers had recently tried to build a 35-feet-high replica of the Great Pyramid (rather smaller than the original, which was 481 feet 5 inches in height). The team started off by limiting itself strictly to techniques proved by archaeology to have been in use during the Fourth Dynasty. However, construction of the replica under these limitations turned out to be impossible and, in due course, modern earth-moving, quarrying and lifting machines were brought to the site. Still no worthwhile progress was made. Ultimately, with some embarrassment, the project had to be abandoned.
The so-called 'Sleeping Lady' statues found in the Hypogeum and numerous 'Venus' figurines found throughout Malta's megalithic temples leave little doubt that a form of Mother Goddess was the supreme deity worshipped in these mysterious places. But these artifacts 'have all been attributed arbitrarily to the Neolithic', even though they are distinctly characteristic of European Palaeolithic art forms, dating as far back at 30,000 BP.
Some Amazonian Native Americans descend partly from a Native American founding population that carried ancestry more closely related to indigenous Australians, New Guineans and Andaman Islanders than to any present-day Eurasians or Native Americans. This signature is not present to the same extent, or at all, in present-day Northern and Central Americans or in a 12,600-year-old Clovis-associated genome, suggesting a more diverse set of founding populations of the Americans than previously accepted.
[Quoting Pontus Skoglund]