Nine-tenths of the people were created so you would want to be with the other tenth.

No, Isabella,” said the Princess, “I should not deserve this incomparable parent, if the inmost recesses of my soul harboured a thought without her permission — nay, I have offended her; I have suffered a passion to enter my heart without her avowal — but here I disclaim it; here I vow to heaven and her —

I desired you once before,” said Manfred angrily, “not to name that woman: from this hour she must be a stranger to you, as she must be to me. In short, Isabella, since I cannot give you my son, I offer you myself.

The critics generally consider a tragedy as the next effort of the mind to an epic poem. For my part, I estimate the difficulty of writing a good comedy to be greater than that of composing a good tragedy. Not only equal genius is required, but a comedy demands a more uncommon assemblage of qualities—knowledge of the world, wit, good sense, &c; and these qualities superadded to those requisite for tragical composition.

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