You must go further than I did," Nedra said. "You know that."
"Further?"
"With your life. You must become free."
She did not explain it; she could not. It was not a matter of living alone, though in her case this had been necessary. The freedom she meant was self-conquest. It was not a natural state. It was meant only for those who would risk everything for it, who were aware that without it life is only appetites until the teeth are gone.

There were other houses that always brought images of an orderly life, kitchens with plain sideboards, old windows, the comforts of marriage in their common form, which at times surpassed everything — breakfast in the morning, conversations, late hours, and nothing that suggested excess or decay.

He wanted one thing, the possibility of one thing: to be famous. He wanted to be central to the human family, why else is there to long for, to hope? …He had nothing. He had only the carefully laid out luggage of bourgeois life, his scalp beginning to show beneath the hair, his immaculate hands. And the knowledge; yes, he had knowledge…But knowledge does not protect one. Life is contemptuous of knowledge; it forces it to sit in the anterooms, to wait outside. Passion, energy, lies: these are what life admires. Still, anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

But of course, in one sense, Dean never died - his existence is superior to such accidents. One must have heroes, which is to say, one must create them. And they become real through our envy, our devotion. It is we who give them their majesty, their power, which ourselves could never possess. And in turn, they give some back. But they are mortal, these heroes, just as we are. They do not last forever. They fade. They vanish. They are surpassed, forgotten - one hears of them no more.

Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.

Afterwards they lie for a long time in silence. There is nothing. Their poem is scattered about them. The days have fallen everywhere, they have collapsed like cards. The air has a chill in it. He pulls the covers up. She is so perfectly still she seems asleep. He touches her face. It is wet with tears.

He could not imagine what he was doing here, what he was waiting for, what he expected to find. Paris – it was like a great terminal he was already leaving, with a multitude of signs, neon and enamel, repeated again and again as if announcing a performance. The people of Paris with their cigarettes and dogs, the stone roofs and restaurants, green buses, gray walls, he had held their attention for a moment. The affiches with his face on them had vanished but he had stayed on. He saw it clearly as, at a certain place in life, one sees both the beginning and end: Paris had discarded him.

As I think of it, there's an ache in my chest. I cannot control these dreams in which she seems to lie in my future like a whole season of extravagant meals if only I knew how to arrange it.

You think when you have love that love is easy to find, that everyone has it. It's not true. It's very hard to find.