Jens Peter Jacobsen Quotes

After all, he was afraid in his inmost heart of this mighty thing called passion. This storm-wind sweeping away everything settled and authorized and acquired in humanity as if it were dead leaves. He did not like it! This roaring flame squandering itself in its own smoke — no, he wanted to burn slowly.

And yet this living on at half speed in quiet waters, always in sight of land, seemed so paltry. Would that the storm and waves would come! If he only knew how, his sails should fly to the yards for a merry run over the Spanish Main of life! Farewell to the slowly dripping days, farewell to the pleasant little hours! Peace be with you, you dull moods that have to be furbished with poetry before you can shine, you lukewarm emotions that have to be clothed in warm dreams and yet freeze to death! May you go to your own place! I am headed for a coast where sentiments twine themselves like luxuriant vines around every fibre of the heart — a rank forest; for every vine that withers, twenty are in blossom; for each one that blossoms, a hundred are in bud.

Oh, that I were there!

For the better part of two years Niels Lyhne wandered abroad.
He was so lonely. He had no family, no friend who was dear to his heart. But there was a greater loneliness about him than that; for a person may well feel anguished and forsaken if on the whole enormous earth there is not one small place he can bless and wish well, someplace he can turn his heart toward when his heart insists on swelling, a place he can long for when longing insists on
spreading its wings; but if he has the clear, steady star of a life’s goal shining overhead, then there is no night so lonely that he is entirely alone. But Niels Lyhne had no star. He didn’t know what to do with himself and his abilities. He did have talent, but he just couldn’t use it; he went around feeling like a painter without hands. How he envied the others, great and small, who, no matter where they reached in life, always found something to hold on to! Because he could not find anything to hold on to. It seemed to him that all he could do was sing the old romantic songs over again, and everything that he had accomplished had been nothing more than this. It was as if his talent were something remote in him, a quiet Pompeii, or like a harp he could take out of a corner. It was not omnipresent, it did not run down the street with him, it did not reside in his eyes, it did not tingle in his fingertips, not at all; his talent did not have a hold on him. At times it seemed to him that he had been born half a century too late, at other times that he had arrived much too early. The talent within him was rooted in something from the past which was the only thing that could give it life. It could not draw nourishment from his opinions, his convictions, his sympathies, it could not assimilate them and give them form; they floated away from each other, these two parts, like water and oil, they could be shaken together but could not be mixed, never become one.

Happy in his sorrow is he who at the death of one dear to him can weep all his tears over the emptiness, the desolation, and the loneliness. Sorer and bitterer are the tears with which you try to atone for the past when you have failed in love toward one who is gone and to whom you can never make amends for what you have sinned.

There is nothing you can expiate any more, nothing. Now there is abundance of love in your heart, now that it is too late. Go now to the cold grave with your full heart! Does it bring you any nearer? Plant flowers and bind wreaths — does that help you?

I don't understand you. I can't treat myself like a hurdy-gurdy from which I can take out an unpopular piece and put in a tune that everybody is whistling.

He yearned for a thousand tremulous dreams, for cool and delicate images, transparent tints, fleeting scents, and exquisite music from streams of highly strung, tensely drawn silvery strings — and then silence, the innermost heart of silence, where the waves of air never bore a single stray tone, but where all was rest unto death, steeped in the calm glow of red colors and the languid warmth of fiery fragrance.

Finally Thora went to her room, but Mogens remained sitting in the conservatory, miserable that she had gone. He drew black imaginings for himself, that she was dead and gone, and that he was sitting here all alone in the world and weeping over her, and then he really wept. At length he became angry at himself and stalked up and down the floor, and wanted to be sensible. There was a love, pure and noble, without any coarse, earthly passion; yes, there was, and if there was not, there was going to be one. Passion spoiled everything, and it was very ugly and unhuman. How he hated everything in human nature that was not tender and pure, fine and gentle! He had been subjugated, weighed down, tormented, by this ugly and powerful force; it had lain in his eyes and ears, it had poisoned all his thoughts.

To learn is as beautiful as to live.
Do not be afraid to lose yourself in minds greater than your own. Do not sit brooding anxiously over your own individuality or shut yourself out from influences that draw you powerfully for fear that they may sweep you along and submerge your innermost pet peculiarities in their mighty surge. Never fear. The individuality that can be lost in the sifting and reshaping of a healthy development is only a flaw; it is a branch grown in the dark, which is distinctive only so long as it retains its sickly pallor. And it is by this sound growth in yourself that you must live. Only the sound can grow great.

... Man's love is a course of drill. And we submit to it; even those whom no one loves submit—contemptible weaklings that we are!"
She rose from her recumbent position and looked threateningly across at Niels.
"If I were beautiful—oh, I mean bewitchingly beautiful, lovelier than any woman that ever lived, so that all who saw me were smitten, as if by magic, with the anguish of unquenchable love—how I should compel them by the power of my beauty to adore, not their traditional, bloodless ideal, but me, myself, as I lived and moved, every single inch of me, every corner of my being and every spark of my nature!

And it all came to pass, all that she had hoped, but it did not fill her with rapture nor carry her away with the power or the fervor she had expected. She had imagined it all different, and had imagined herself different, too. In dreams and poems everything had been, as it were, beyond the sea; the haze of distance had mysteriously veiled all the restless mass of details and had thrown out the large lines in bold relief, while the silence of distance had lent its spirit of enchantment. It had been easy then to feel the beauty; but now that she was in the midst of it all, when every little feature stood out and spoke boldly with the manifold voices of reality, and beauty was shattered as light in a prism, she could not gather the rays together again, could not put the picture back beyond the sea. Despondently she was obliged to admit to herself that she felt poor, surrounded by riches that she could not make her own.

But what joy can you take in a tree or a bush, if you don’t imagine that a living being dwells within it, that opens and closes the flowers and smooths the leaves? When you see a lake, a deep, clear lake, don’t you love it for this reason, that you imagine creatures living deep, deep down below, that have their own joys and sorrows, that have their own strange life with strange yearnings?

Haven't you noticed that we women daydream infinitely less than you men? We can't anticipate pleasure in our imagination or keep suffering out our lives with some imaginary consolation.Whatever is,is.Imagintion! It's so paltry!Yes,when you've grown older,as I have,you occasionally make do with the poor comedy of the imagination.

had prescribed fresh air, quiet, and milk.

I am not offended by your love, Mr.Bigum, but I condemn it. You have done what so many others do. People close their eyes to real life, they don't want to hear the 'no' it shouts at their wishes, they want to forget the deep chasm it shows them between their longing and what they long for. They want to realize their dreams. But life doesn't take dreams into account, there is not a single obstacle that can be dreamed away from reality, and so in the end they lie there wailing at the chasm, which has not changed but is the same as it has always been.

So Niels grows up, and all the influences of his childhood work on the plastic clay. Everything helps to shape it; everything is significant, the real and the dreamed, what is known and what is foreshadowed — all add their touch, lightly but surely, to that tracery of lines which is destined to be first hollowed out and deepened and afterwards flattened out and smoothed away.

He was first of all a philosopher, but not one of the productive philosophers who find new laws and build new systems. He laughed at their systems, the snail-shells in which they dragged themselves across the illimitable field of thought, fondly imagining that the field was within the snail-shell! And these laws — laws of thought, laws of nature! Why, the discovery of a law meant nothing but the fixing of your own limitations: I can see so far and no farther — as if there were not another horizon beyond the first, and another and yet another, horizon beyond horizon, law beyond law, in an unending vista! No, he was not that kind of philosopher.