Top 15 John Banville Quotes

When I won the Booker Prize, I said that it was nice to see a work of art winning this prize and I've never been forgiven for that. When you get a prize, you're suppose to be humble. Somebody was interviewing me and said, 'This is a great day for Ireland'. I said, 'Why? Ireland didn't do it, I did it.' I wasn't forgiven for that either. I don't wear the green jersey and I don't hobnob with Michael D in the Park, although I quite like Michael D.

They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.

[On The Sea being filmed] It's not a blockbuster and it's not going to earn half a billion in the first weekend, but it's a work of art and I'm very pleased with it.

Benjamin Black is a craftsman and these are crafted works. I'm very proud of them. I think they're well made, but Banville is doing something else – he's trying to make a kind of poetry, I suppose. I'm a perfectionist. It's an illness but a good illness. It's a completely different method of writing. Banville writes with a fountain pen on paper in a manuscript book and Black works straight on to the screen. It could take me a whole morning to write a few sentences as Banville, but as Black I'd be very annoyed if I didn't have at least two or three pages done. This drives crime-writers crackers because they think I'm saying that their craft is not worth it. I'm simply saying it's a different thing. I don't know why they worry when I talk about speed; after all, Georges Simenon wrote his books in about 10 days.

When I created Quirke, he was 6ft 6in and blond. But then a woman reader wrote to me and said, 'Why do you keep saying his hair is blond? It's not. It's brown.' I wrote back to her and told her that, of course, she was right. So I darkened his hair and now that he's being played by Gabriel Byrne; with each successive book he gets a bit smaller and smaller.

I always thought when I got older that I'd be jealous of my children but I'm not. It's the opposite. I love seeing their possibilities. Nothing makes me as happy as sitting at dinner with loved ones, having a glass of wine with a meal that I've cooked. What could be better?

I like to dress conservatively because then the outrageous things you say are even more outrageous.

I often think that there was nothing more exciting and erotic than getting a glimpse of a woman's leg at the top of her stockings. There's something about that white bulge and for anybody who grew up in my time, nothing replaces that, nothing. I remember I had a girlfriend when I was 16 and she had this bra – it used to open down the front – which I thought was absolutely wonderful. It was like opening a tabernacle.

If you think I'm being bleak, I'm not. It's wonderful to be making yourself up. That's what makes life so exciting. It's an unending adventure.

Look at what goes on in our heads when we think about our family or we think about sex. There are things in there that you'd never really say to anybody. You're even ashamed to think it yourself.

I don't know anything about myself. Put it this way, there is no self. I believe that we're a compendium of personalities. We're whoever we meet. We go through the day being who we think we should be and who we think we'd like to be.

I remember my father didn't say very much – he was a very laconic man. When he'd go to a party, he would become very animated. My mother would say – 'Look at him. He never says a word at home and look at him now.' This is how we all are.

I never learned the names of the streets because I couldn't wait to get out. It was too small and I was bored. I was a pretentious little twerp and I had ideas above my station, which everyone should have. I was deeply ambitious but I was deeply dismissive of what was there and that was a mistake. Wexford was a fascinating town and so was the society. I remember a friend of mine telling me about wife-swapping parties that went on there and how people would throw their keys into the middle of a bowl. This was the late 1950s. I didn't believe a word of it. If I believed him and looked about, I would have found another version of Wexford. I'm not saying that I wanted to be at wife-swapping parties, but the Wexford I imagined wasn't necessarily the Wexford that was real. So I blinded myself and I was just as narrow-minded and blinkered as the people whom I despised there. That was a mistake.

As a boy I was very solitary but blissfully happy. We lived on the edge of town in Wexford and I wandered the fields with my dog, declaiming Keats to the trees.

Interviewer: What would you like carved onto your tombstone? Banville: I'd rather not have a tombstone.