Today, all the normal mischances of living have been multiplied, a million-fold, by the potentialities for destruction, for an unthinking act of collective suicide, which man's very triumphs in science and invention have brought about. In this situation the artist has a special task and duty: the task of reminding men of their humanity and the promise of their creativity.
American historian, sociologist, philosopher of technology and literary critic (1895-1990)
Lewis Mumford (19 October 1895 – 26 January 1990) was an American historian of technology and science, also noted for his study of cities.
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Max Beer, in his History of British Socialism, points out that Bacon looked for the happiness of mankind chiefly in the application of science and industry. But by now it is plain that if this alone were sufficient, we could all live in heaven tomorrow. Beer points out that More, on the other hand, looked to social reform and religious ethics to transform society; and it is equally plain that if the souls of men could be transformed without altering their material and institutional activities, Christianity, Mohammedanism, and Buddhism might have created an earthly paradise almost any time this last two thousand years. The truth is, as Beer sees, that these two conceptions are still at war with each other: idealism and science continue to function in separate compartments; and yet "the happiness of man on earth" depends upon their combination.
Such freedom as is granted by this society is the freedom given to conscript soldiers on leave; and no provision whatever is made for conscientious objectors, or for those who would work against the system. The American farmer who lately rebelled against legislation preventing him from growing more than his allotted quota of grain even to feed his own hogs found when he migrated to distant Australia in search of freedom that he had made only one mistake: even in that seemingly open and independent continent he was subject to a similar set of imbecile regulations.
Vacuum pumps driven by electric motors are forced into American households for the purpose of cleaning an obsolete form of floor covering, the carpet or the rug, whose appropriateness for use in interiors, if it did not disappear with the caravans where it originated, certainly passed out of existence with rubber heels and steam-heated houses. To count such pathetic examples of waste to the credit of the machine is like counting the rise in the number of constipation remedies a proof of the benefits of leisure.
Thus the inertia of "progress" today leads swiftly downhill; while the attempt while the attempt to achieve stabilization by collective compulsion and social arrest likewise leads to the same destination--death. Only one road lies open to those who would remain human: the road of renewal. Each one of us must dedicate himself, at whatever effort, with whatever willing sacrifice, to such a transformation of himself and all the groups and associations of in which he participates, as will lead to law and order, to peace and cooperation, to love and brotherhood, throughout the planet.
When the moment comes to replace power with plenitude, compulsive external rituals with internal, self-imposed discipline, depersonalization with individuation, automation with autonomy, we shall find that the necessary change of attitude and purpose has been going on beneath the surface during the last century, and the long buried seeds of a richer human culture are now ready to strike root and grow, as soon as the ice breaks up and the sun reaches them. IF that growth is to prosper, it will draw freely on the compost from many previous cultures. When the power complex itself becomes sufficiently etherialized, its formative universal ideas will become usable again, passing on its intellectual vigor and its discipline, once applied mainly to the management of things, to the management and enrichment of man's whole subjective existence.
"Bellamy leaves no doubt about the totalitarian nature of his utopia. "If a man refuses to accept the authority of the state and the inevitability of industrial service, he loses all his rights as a human being." All his rights as a human being? Did this tender-minded reformer realize what these words would mean? If not, our better-seasoned generation can tell him: for we have had before us the case of the Soviet Russian poet who was sentenced to jail as a "work-resister" because he devoted his days to translating, and to writing poetry-the 'wrong' sort of poetry of course. In tracing the grim, monolithic outlines of his perfect commonwealth, Bellamy, in his innocence, was more realistic than the anti-utopian Karl Marx, who, once socialism was installed, foresaw the State withering away."
Tolstoi felt that the strange dark room he had awakened in, far from home, was a coffin. As in the womb-dream of childhood, he felt himself floating in an oppressive nothingness. No better image could be found for the state of modern man. That collective coffin is now the envelope of our whole 'civilization': not only materialized but accurately symbolized in underground shelters and military control centers: the technocratic tomb of tombs.
Within a few centuries, the new capitalist spirit challenged the basic Christian ethic: the boundless ego of Sir Gales Overreach and his fellows in the marketplace had no room for charity or love in any of their ancient senses. The capitalist scheme of values in fact transformed five of the seven deadly sins of Christianity-pride, envy, greed, avarice, and lust-into positive social virtues, treating them as necessary incentives to all economic enterprise; while the cardinal virtues, beginning with love and humility, were rejected as 'bad for business,' except in the degree that they made the working class more docile and more amenable to cold-blooded exploitation.
Material artifacts may stubbornly defy time, but what they tell about man's history is a good deal less than the truth, the whole truth, and nothing but the truth. If the only clue to Shakespeare's achievement as a dramatist were his cradle, an Elizabethan mug, his lower jaw, and a few rotted planks from the Globe Theatre, one could not even dimly imagine the subject matter of his plays, still less guess in one's wildest moments what a poet he was. Though we would still be far from justly appreciating Shakespeare, we should nevertheless have a better notion of his work through examining the known plays of Shaw and Yeats and reading backward.