Mary Oliver Quotes

I woke
And crept
Like a cat

On silent feet
About my own house-
To look

At you
While you were sleeping,
Your hair

Sprayed on the pillow,
Your eyes
Closed,

Your body
Safe and solitary,
And my doors

Shut for your safety
And your comfort.
I did this

Thinking I was intruding
Yet wanting to see
The most beautiful thing

That has ever been in my house.

To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

In the mystery and the energy of loving, we all view time's shadow upon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day, but we never forget it: the beloved shall grow old, or ill, and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how pervasively we berate the universe, how cunningly we hide, this is what shall happen. In the wide circles of timelessness, everything material and temporal will fail, including the manifestation of the beloved. In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us. This is Poe's real story. As it is ours. And this is why we honor him, why we are fascinated far past the simple narratives. He writes about our own inescapable destiny.

But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them slowly and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe - that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.

Of course I am thinking the Lord was once young and will never in fact be old.
And who else could this be, who goes off down the green path,
Carrying his sandals, and singing?

How do I love you?
Oh, this way and that way.
Oh, happily. Perhaps
I may elaborate by

demonstration? Like
this, and
like this and

no more words now

I am burdened with anxiety. Anxiety for the lamb with his bitter future, anxiety for my own body, and, not least, anxiety for my own soul. You can fool a lot of yourself but you can’t fool the soul. That worrier.

Over and over in the butterfly we see the idea of transcendence. In the forest we see not the inert but the aspiring. In water that departs forever and forever returns, we experience eternity.

And I thought: I shall remember this all my life. The peril, the running, the howling of the dogs, the smothering. Then the happiness — of action, of leaping. Then the green sweetness of distance. And the trees: their thickness and their compassion, all around.

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.

Now and again there's a moment,
when the heart cries aloud:
yes, I am willing to be
that wild darkness,
that long, blue body of light.

The Mockingbird

All summer
the mockingbird
in his pearl-gray coat
and his white-windowed wings

flies
from the hedge to the top of the pine
and begins to sing, but it’s neither
lilting nor lovely,

for he is the thief of other sounds — whistles and truck brakes and dry hinges
plus all the songs
of other birds in his neighborhood;

mimicking and elaborating,
he sings with humor and bravado,
so I have to wait a long time
for the softer voice of his own life

to come through. He begins
by giving up all his usual flutter
and settling down on the pine’s forelock
then looking around

as though to make sure he’s alone;
then he slaps each wing against his breast,
where his heart is,
and, copying nothing, begins

easing into it
as though it was not half so easy
as rollicking,
as though his subject now

was his true self,
which of course was as dark and secret
as anyone else’s,
and it was too hard — perhaps you understand — to speak or to sing it
to anything or anyone
but the sky.

Tides

Every day the sea
blue gray green lavender
pulls away leaving the harbor’s
dark-cobbled undercoat

slick and rutted and worm-riddled, the gulls
walk there among old whalebones, the white
spines of fish blink from the strandy stew
as the hours tick over; and then

far out the faint, sheer
line turns, rustling over the slack,
the outer bars, over the green-furred flats, over
the clam beds, slippery logs,

barnacle-studded stones, dragging
the shining sheets forward, deepening,
pushing, wreathing together
wave and seaweed, their piled curvatures

spilling over themselves, lapping
blue gray green lavender, never
resting, not ever but fashioning shore,
continent, everything.

And here you may find me
on almost any morning
walking along the shore so
light-footed so casual.

And what has consciousness come to anyway, so far, that is better than these light-filled bodies?

Emerson, I am trying to live, as you said we must, the examined life. But there are days I wish there was less in my head to examine, not to speak of the busy heart.