Now when I hear spoken—mostly by the older people who are passing away—it is to me very good. ...the sound is like a warm wind that arises from my childhood. It is the music of memory. ...much of the power and magic and music of words consist not in the meaning but in sound. Storytellers, actors, and children know this too.
Kiowa author and academic (1934–2024)
N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.
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Mammedaty was my grandfather, whom I never knew. Yet he came to be imagined posthumously... having invested the shadow of his presence in an object or a word, in his name above all. He enters into my dreams... His grandfather Guipagho the Elder was a famous chief. His mother... was the daughter of Kau-au-ointy... There was a considerable vitality in him... and a self-respect that verged upon arrogance.
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Sampt'e drew the string back until he felt the bow wobble... and he let it go. It shot across the long light of the morning and struck the black face of a stone... glanced then away... limping... then it settled down in the grass and lay still. ...he believed that the arrow might take flight again, so much of his life did he give into it.
was the year in which the old woman Kau-au-ointy died... and was buried at Cemetery... The Kiowas, who stole people as well as horses... took her from her homeland of Mexico when she was a child. ...Kau-au-ointy outlived her slave status, married, and brought new blood to the tribe... In my dreams she [my great-great-grandmother] told me wonderful stories.
In 1929 my mother was a Southern belle... It was about this time that she began to see herself as an Indian. That dim native heritage became a fascination and a cause... She imagined who she was. ...She was already a raving beauty. ...very black hair and very blue eyes; her skin... of an olive complexion... She moved... with certain confidence. Above all, she expected the world to be interesting; she would not stand to be bored. ...And she went off to Haskell Institute, the Indian school...
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About the year 1850 in Kentucky a daughter was born to I. J. Galyen and his wife, Natachee, newcomers to the knobs from the foothills of the . ...He settled in the countryside known as "the knobs," for its numerous abrupt hills, in southwestern Kentucky. Natachee bore him four children, one of whom was Nancy Elizabeth, my great-grandmother. Nancy... married George Scott of Woodbury and bore him five children. Her first son was Theodore, my grandfather.
In the dense growth of the bottomland a dark drift moves on the . A spider enters a small pool of light on Rainy Mountain Creek, and downstream, at the convergence, a Channel catfish turns around in the current and slithers to the surface, where a dragonfly hovers and darts. Away on the high ground grasshoppers and bees set up a crackle and roar in the fields, and the s and scissortails whistle and wheel about. Somewhere in the maze of gullies a calf shivers and balls in a tangle of chinaberry trees. And high in the distance a hawk turns in the sun and sails.
In the land is made of many colors. When I was a boy I rode out over the red and yellow and purple earth to the west of Jemez Pueblo. ...I came to know that country... truly and intimately, in every season, from a thousand points of view. I know the living sound motion of a horse and the sound of hooves. I know what it is, on a hot day in August or September, to ride into a bank of cold, fresh rain.