South African writer (1923–2014)
Nadine Gordimer (20 November 1923 – 13 July 2014) was a South African Jewish novelist and writer, winner of the 1991 Nobel Prize in literature and 1974 Booker Prize.*, recognized as a writer "who through her magnificent epic writing has ... been of very great benefit to humanity".[1]
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Writers don’t only listen, they also look. Though, indeed, they do listen. I started being an eavesdropper when I was a child, picking up unexplained little bits of conversation and imagining what led to that, what drama in that couple’s life, or what happened between that child and the parent when I overheard: “Stop that! You’re being very naughty.” You know, what does it all mean?
Clustered predators round a kill. It's a small car with a young woman inside it. The battery has failed and taxis, cars, minibuses, vans, motorcycles butt and challenge one another, reproach and curse her, a traffic mob mounting its own confusion. Get going. Stupid bloody woman. Idikazana lomlungu, le! She throws up hands, palms open, in surrender. They continue to jostle and blare their impatience. She gets out of her car and faces them. (first lines)
Most imprisoned writers have been shut away for their activities as citizens striving for liberation against the oppression of the general society to which they belong. Others have been condemned by repressive regimes for serving society by writing as well as they can; for this aesthetic venture of ours becomes subversive when the shameful secrets of our times are explored deeply, with the artist's rebellious integrity to the state of being manifest in life around her or him; then the writer's themes and characters inevitably are formed by the pressures and distortions of that society as the life of the fisherman is determined by the power of the sea.
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I don't want to know more about her; don't want to know her weaknesses or calculate them. What I have is not for her; he gives me to understand she would not know what to do with it; it's not her fault. — One is married and there is nothing to be done. — Yet he has said to me, I would marry you if I could, meaning: I want very much to marry you. I offended him a bit by not being moved. It's other things he's said that are the text I'm living by. I really do not know if I want any form of public statement, status, code; such as marriage. There's nothing more private and personal than the life of a mistress, is there? Outwardly, no one even knows we are responsible to each other....
'This is the creature that has never been' — he told me a line of poetry about that unicorn, translated from German. A mythical creature. Un paradis inventé.