Q. Surely it is easier to be objective about other people than about oneself?
A. No, it is more difficult. If you become objective to yourself you can see other people objectively, but not before, because before that it will all be coloured by your own views, attitudes, tastes, by what you like and what you dislike. To be objective you must be free from it all. You can become objective to yourself in the state of self-consciousness: this is the first experience of coming into contact with the real object.

Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world. In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.

The most important factor in every function is: ‘Is it under our control or not?’ So when imagination is under our control we do not even call it imagination; we call it by various names — visualization, creative thinking, inventive thinking — you can find a name for each special case. But when it comes by itself and controls us so that we are in its power, then we call it imagination. Again, there is another side of imagination which we miss in ordinary understanding. This is that we imagine non-existent things — non-existent capacities, for instance. We ascribe to ourselves powers which we do not have; we imagine ourselves to be self-conscious although we are not. We have imaginary powers and imaginary self-consciousness and we imagine ourselves to be one, when really we are many different ‘I’s. There are many such things that we imagine about ourselves and other people. For instance, we imagine that we can ‘do’, that we have choice; we have no choice, we cannot ‘do’, things just happen to us.

Man is a machine, but a very peculiar machine. He is a machine which, in right circumstances, and with right treatment, can know that he is a machine, and having fully realized this, he may find the ways to cease to be a machine.
First of all, what man must know is that he is not one; he is many. He has not one permanent and unchangeable “I” or Ego. He is always different. One moment he is one, another moment he is another, the third moment he is a third, and so on, almost without end.

I have become so accustomed to think “scientifically” that I am afraid even to imagine that there may be something else beyond the outer covering of life. I feel like a man condemned to death, whose companions have been hanged and who has already become reconciled to the thought that the same fate awaits him.

When I lifted the first veil and entered the outer court of the temple of initiation, I saw in half darkness the figure of a woman sitting on a high throne between two pillars of the the temple, one white and one black. Mystery emanated from her and was about her. Sacred symbols shone on her, and on her head a golden tiara surmounted by a two-horned Moon. To enter the Temple one must lift the second veil and pass between the two pillars. And to pass one must obtain the keys, read the book, and understand the symbols. Are you able to do this? She whispered to me “ learn to discern the real from the false. Listen only to the voice that is soundless. Look only on that which is invisible and remember that in thee thyself is the Temple and the gate to it, and the mystery, and the initiation.

said to myself then that the war must be looked upon as one of those generally catastrophic conditions of life in the midst of which we have to live and work, and seek answers to our questions and doubts. The war, the great European war, in the possibility of which I had not wanted to believe and the reality of which I did not for a long time wish to acknowledge, had become a fact.

I Saw the Man. His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity. Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle. His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail. His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself. And I heard a voice saying: —"Look, this is the Great Magician!

An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance. And amidst this light and fire I heard music and soft singing, thunderclaps and the roar of a tempest, the rumble of falling mountains and earthquakes. The circle whirled with a terrifying noise, touching the sun and the earth, and, in the centre of it I saw the naked, dancing figure of a beautiful young woman, enveloped by a light, transparent scarf, in her hand she held a magic wand. Presently the four apocalyptical beasts began to appear on the edges of the circle; one with the face of a lion, another with the face of a man, the third, of an eagle and the fourth, of a bull.

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With the attempt to self-remember many new sensations begin to awaken in man, particularly sensations connected with his own existence and his relation to the surrounding world. And these in turn may give rise to the realization of the different influences playing upon him and to the possibility of choosing between them.