The genocide practiced against the tribes is aimed systematically at the dissolution of ritual tradition. In the past this has included prohibition of ceremonial practices throughout North and Meso-America, Christianization, enforced loss of languages, reeducation of tribal peoples through government-supported and schools that Indian children have been forced to attend, renaming of the traditional ritual days as Christian feast days, missionization (incarceration) of tribal people, deprivation of language, severe disruption of cultures and economic and resource bases of those cultures, and the degradation of the status of women as central to the spiritual and ritual life of the tribes.

I have said that an American Indian myth is a particular kind of story, requiring supernatural or nonordinary figures as characters. Further, a myth relies on mystical or metaphysically charged symbols to convey its significance, and the fact of the mystical and the teleological nature of myth is embodied in its characteristic devices; the supernatural characters, the nonordinary events, the transcendent powers, and the pourquoi elements all indicate that something sacred is going on. On literal levels of analysis, the myth tells us what kind of story it is. It focuses our attention on the level of consciousness it relates to us and relates us to. Having engaged our immediate participation on its own level, the myth proceeds to re-create and renew our ancient relationship to the universe that is beyond the poverty-stricken limits of the everyday.

My ideas of womanhood, passed on largely by my mother and grandmothers, Laguna Pueblo women, are about practicality, strength, reasonableness, intelligence, wit, and competence. I also remember vividly the women who came to my father’s store, the women who held me and sang to me, the women at Feast Day, at Grab Days, the women in the kitchen of my Cubero home, the women I grew up with; none of them appeared weak or helpless, none of them presented herself tentatively. I remember a certain reserve on those lovely brown faces; I remember the direct gaze of eyes framed by bright-colored shawls draped over their heads and cascading down their backs. I remember the clean cotton dresses and carefully pressed hand-embroidered aprons they always wore; I remember laughter and good food, especially the sweet bread and the oven bread they gave us. Nowhere in my mind is there a foolish woman, a dumb woman, a vain woman, or a plastic woman, though the Indian women I have known have shown a wide range of personal style and demeanor.

In the myth, and especially the mythopoeic vision that gives it birth, past, present, and future are one, and the human counterparts of these—ancestors, contemporaries, and descendents—are also one. Conscious and unconscious are united through the magic of symbolic progression so that the symbols can convey direct, rational meanings and stir indirect memories and insights that have not been raised to conscious articulation. In mythopoeic vision and its literary counterparts, the near and the far must come together, for in its grasp we stand in a transcendent landscape that incorporates both. Lastly, the mythic heals, it makes us whole. For in relating our separate experiences to one another, in weaving them into coherence and therefore significance, a sense of wholeness arises, a totality which, by virtue of our active participation, constitutes direct and immediate comprehension of ourselves and the universe of which we are integral parts.

I have memories of tired women, partying women, stubborn women, sullen women, amicable women, selfish women, shy women, and aggressive women. Most of all I remember the women who laugh and scold and sit uncomplaining in the long sun on feast days and who cook wonderful food on wood stoves, in beehive mud ovens, and over open fires outdoors.

The years between time immemorial and the present are long and bloody and filled with despair. But we cannot despair, we children of the mother, Earth Woman, and the grandmother, Thought Woman. American Indian women not only have endured, but we have grown stronger and more hopeful in the past decade. Our numbers grow, our determination to define ourselves grows, and our consciousness of our situation, of the forces affecting it, and of the steps we can take to turn our situation around grows.

What the novel does is what novels do and what the critical articles do is what criticism can do and what the poems do is what poems can do. My form is determined by my purpose, my point. They're all writing and that's what I'm doing. I'm a writer. It's like asking a seamstress if making dresses is somehow separate from making skirts and blouses. Sure, one has a waistband that's separate and in the others one part is connected to the other, but it's all sewing.

Reconciling the opposites of life and death, of celebration and grief, of laughter and rage is no simple task, yet it is one worthy of our best understanding and our best effort. If, in all these centuries of death, we have continued to endure, we must celebrate that fact and the fact of our vitality in the face of what seemed, to many, inevitable extinction. For however painful and futile our struggle becomes, we have but to look outside at the birds, the deer, and the seasons to understand that change does not mean destruction, that life, however painful and even elusive it is at times, contains much joy and hilarity, pleasure and beauty for those who live within its requirements with grace.

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Pre-Conquest American Indian women valued their role as vitalizers. Through their own bodies they could bring vital beings into the world—a miraculous power whose potency does not diminish with industrial sophistication or time. They were mothers, and that word did not imply slaves, drudges, drones who are required to live only for others rather than for themselves as it does so tragically for many modern women. The ancient ones were empowered by their certain knowledge that the power to make life is the source of all power and that no other power can gainsay it. Nor is that power simply of biology, as modernists tendentiously believe.

In the beginning was thought, and her name was Woman. The Mother, the Grandmother, recognized from earliest times into the present among those peoples of the Americas who kept to the eldest traditions, is celebrated in social structures, architecture, law, custom, and the oral tradition. To her we owe our lives, and from her comes our ability to endure, regardless of the concerted assaults on our, on Her, being, for the past five hundred years of colonization. She is the Old Woman who tends the fires of life. She is the Old Woman Spider who weaves us together in a fabric of interconnection. She is the Eldest God, the one who Remembers and Re-members; and though the history of the past five hundred years has taught us bitterness and helpless rage, we endure into the present, alive, certain of our significance, certain of her centrality, her identity as the Sacred Hoop of Be-ing.

The cultural bias of the translator inevitably shapes his or her perception of the materials being translated, often in ways that he or she is unaware of. Culture is fundamentally a shaper of perception, after all, and perception is shaped by culture in many subtle ways. In short, it’s hard to see the forest when you’re a tree.