This is the writing of Nagiko Kiyohara no Motosuke Sei Shonagon, and I know you to have blackmailed, violated and humiliated my father. I suspect you also of ruining my husband. You have now committed the greatest crime -- you have desecrated the body of my lover. You and I now know that you have lived long enough.

Death is not necessarily an old and withered book with dry pages. It can be a thousand leaves of strong and shining text on a powerful body, held erect on the vertebrae of a strong spine. The heart hardly breathes because quietus has been reached, the torso is like a rock, the legs are rooted, the ink is dependable. If the words of death should be considered faded and sere -- where could be the dignity in dying?

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This book is past the first flush of youth. It is a book that is in puberty. It is hesitating, and from the vantage point of the mature reader, it is both a sad and amusing reminder of the part which is not always attractive enough to be revisited.