Rainer Maria Rilke Quotes

Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.

Sex is difficult; yes. But those tasks that have been entrusted to us are difficult; almost everything serious is difficult; and everything is serious. If you just recognize this and manage, out of yourself, out of your own talent and nature, out of your own experience and childhood and strength, to achieve a wholly individual relation to sex (one that is not influenced by convention and custom), then you will no longer have to be afraid of losing yourself and becoming unworthy of your dearest possession.

If you trust in Nature, in the small Things that hardly anyone sees and that can so suddenly become huge, immeasurable; if you have this love for what is humble and try very simply, as someone who serves, to win the confidence of what seems poor: then everything will become easier for you, more coherent and somehow more reconciling, not in your conscious mind perhaps, which stays behind, astonished, but in your innermost awareness, awakeness, and knowledge.

Sie sind so jung, so vor allem Anfang, und ich möchte Sie, so gut ich es kann, bitten, lieber Herr, Geduld zu haben gegen alles Ungelöste in Ihrem Herzen und zu versuchen, die Fragen selbst liebzuhaben wie verschlossene Stuben und wie Bücher, die in einer sehr fremden Sprache geschrieben sind. Forschen Sie jetzt nicht nach den Antworten, die Ihnen nicht gegeben werden können, weil Sie sie nicht leben könnten. Und es handelt sich darum, alles zu leben. Leben Sie jetzt die Fragen. Vielleicht leben Sie dann allmählich, ohne es zu merken, eines fernen Tages in die Antwort hinein.

Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.

No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others.

Irony: Do not let yourself be governed by it, especially not in unproductive moments. In productive ones try to make use of it as one more means of seizing life.

I could give you no advice but this: to go into yourself and to explore the depths where your life wells forth.

A work of art is good if it has grown out of necessity.

No one can advise or help you — no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.

Nothing touches a work of art so little as words of criticism : they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.

First a childhood, limitless and without renunciation or goals. O unselfconscious joy. Then suddenly terror, barriers, schools, drudgery, and collapse into temptation and loss. Defiance. The one bent becomes the bender, and thrusts upon others that which it suffered. Loved, feared, rescuer, fighter, winner and conqueror, blow by blow. And then alone in cold, light, open space, yet still deep within the mature erected form, a gasping for the clear air of the first one, the old one... Then God leaps out from behind his hiding place.

Erst eine Kindheit, grenzenlos und ohne Verzicht und Ziel. O unbewußte Lust. Auf einmal Schrecken, Schranke, Schule, Frohne und Absturtz in Versuchung und Verlust.</p>Trotz. Der Gebogene wird selber Bieger und rächt an anderen, daß er erlag. Geliebt, gefürchtet, Retter, Ringer, Sieger und Überwinder, Schlag auf Schlag. Und dann allein im Weiten, Leichten, Kalten. Doch tief in der errichteten Gestalt ein Atemholen nach dem Ersten, Alten... Da stürzte Gott aus seinem Hinterhalt.

When you go to bed, don't leave bread or milk on the table: it attracts the dead.

They more adeptly bend the willow's branches who have experience of the willow's roots.