Rebecca Solnit Quotes

I was arguing not that everyone should read books by ladies — though shifting the balance matters — but that maybe the whole point of reading is to be able to explore and also transcend your gender (and race and class and orientation and nationality and moment in history and age and ability) and experience being others.

Having the right to show up and speak are basic to survival, to dignity, and to liberty. I’m grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.

There is a kind of counter-criticism that seeks to expand the work of art, by connecting it, opening up its meanings, inviting in the possibilities. A great work of criticism can liberate a work of art, to be seen fully, to remain alive, to engage in a conversation that will not ever end but will instead keep feeding the imagination. Not against interpretation, but against confinement, against the killing of the spirit. Such criticism is itself a great art.

This is a kind of criticism that does not pit the critic against the text, does not seek authority. It seeks instead to travel with the work and its ideas, to invite it to blossom and invite others into a conversation that might have previously seemed impenetrable, to draw out relationships that might have been unseen and open doors that might have been locked. This is a kind of criticism that respects the essential mystery of a work of art, which is in part its beauty and its pleasure, both of which are irreducible and subjective. The worst criticism seeks to have the last word and leave the rest of us in silence; the best opens up an exchange that need never end.

Maybe the word forgive points in the wrong direction, since it's something you mostly give yourself, not anyone else: you put down the ugly weight of old suffering, untie yourself from the awful, and walk away from it.

"[T]he radical geographer Iain Boal had prophesied, "The longing for a better world will need to arise at the imagined meeting place of many movements of resistance, as many as there are sites of closure and exclusion. The resistance will be as transnational capitalism.

Hope just means another world might be possible, not promise, not guaranteed. Hope calls for action; action is impossible without hope.

A better world, yes; a perfect world, never. (p82)

The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming ends only when you do, if then, and the consequences live on. We make ourselves and in so doing are the gods of the small universe of self and the large world of repercussions.

The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.

After my book Wanderlust came out in 2000, I found myself better able to resist being bullied out of my own perceptions and interpretations. On two occasions around that time, I objected to the behavior of a man, only to be told that the incidents hadn't happened at all as I said, that I was subjective, delusional, overwrought, dishonest- in a nutshell, female.

Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.

In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship — around participation in public life.

Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.

Since the Seattle surprise, it's become standard practice to erect a miniature police state around any globalization summit, and these rights free zones seem to prefigure what corporate globalization promises. (p46)

People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of change in a world without end.