"Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance." … What excellent advice it is, and how it was beaten into my generation of schoolboys... But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?

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Who is she? That is what you must discover, Ramezay, and you must find your answer in psychological truth, not in objective truth. You will not find out quickly, I am sure. And while you are searching, get on with your own life and accept the possibility that it may be purchased at the price of hers and that this may be God's plan for you and her.

It is woefully hard to find good, or even merely literate, writers, and they laugh at me when I say that sloppy, go-as-you-please writing carries less authority than decent prose. You must remember our public, they say. And indeed that is what I do, and I think the public is fully able to deal with the best they can produce. Patronizing the public, and assuming that it hangs, breathless, upon what it reads in the papers, is almost the worst of journalistic sins.

Happiness is always a by-product. It is probably a matter of temperament, and for anything I know it may be glandular. But it is not something that can be demanded from life, and if you are not happy you had better stop worrying about it and see what treasures you can pluck from your own brand of unhappiness.

A truly mythological wish,' I said. 'I'll save you the trouble of reading my book to find out what it means: you want to pass into oblivion with your armour on, like King Arthur, but modern medical science is too clever to allow it. You must grow old, Boy; you'll have to find out what age means, and how to be old. A dear old friend of mine once told me he wanted a God who would teach him how to grow old. I expect he found what he wanted. You must do the same, or be wretched. Whom the gods hate they keep forever young.

To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste.

Myself: But wasn't the decision a right one? Am I not here? What more could Feeling have achieved than was brought about by Reason?