Spanish artist (1904–1989)
Salvador Dalí (11 May 1904 – 23 January 1989) was a Spanish surrealist artist, born in Catalonia, Spain. He was a skilled draftsman, best known for the striking and bizarre images in his surrealist work and his exceptional way of life and expression.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
Salvador Dalí i Domènech
Alternative Names:
Dalí
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Felip Jacint Domenech
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Felip Jacint Domènech
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Salvador Dali
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Salvador Dali Domenech
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Salvador Dali i Domenech
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Salvador Dali y Domenech
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Salvador Dalm y Domenech
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Salvador Dalí Domènech
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Salvador Dalí y Domènech
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Salvador Domingo Felipe Jacinto Dali y Domenech
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Salvador Domingo Felipe Jacinto Dalí y Domènech
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Salvador Felip Jacint Dali Domenech
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Salvador Felip Jacint Dalí Domènech
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Salvador Felipe Jacinto Dali
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Salvador Felipe Jacinto Dali Domenech
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Salvador Felipe Jacinto Dali y Domenech
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Salvador Felipe Jacinto Dalí
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Salvador Felipe Jacinto Dalí Domènech
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Salvador Felipe Jacinto Dalí y Domènech
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Salvator Dali
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Salvator Dalí
From Wikidata (CC0)
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Surrealism in its early period offered specific methods to bring images closer to concrete irrationality. These methods, based on the exclusive passive and receptive role of the 'surrealist subject', are bankrupt and are giving way to new surrealist methods for the systematic exploration of the irrational.. .The new delirious images of concrete irrationality suggest their physical, real 'possibility'; they go beyond the domain of psycho-analysable fantasies and 'virtual' representations.. .Against the dream memory and impossible, virtual images of purely receptive states that one can only recount, the physical facts of 'objective' irrationality with which one can already hurt oneself.
Shit scared them [the Surrealists]. Shit and arseholes. Yet, what was more human and more needful of transcending! From that moment, I know I would keep on obsessing them with what they most dreaded. And when I invented Surrealist objects, I had the deep inner fulfillment of knowing, while the [Surrealist] group went into ecstasies over their operation, that these objects very exactly reproduced the contradictions of a rectal sphincter at work, so that what they were thus admiring was their own fear.
Ever since the French revolution there has developed a vicious, cretinizing tendency to consider a genius (apart from his work) as a human being more or less the same in every sense as other ordinary mortals. This is wrong. And if this is wrong for me, the genius of the greatest spiritual order or our day, a true modern genius, it is even more wrong when applied to those who incarnated the almost divine genius of the Renaissance, such as Raphael.
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