The experiences of a man who lives alone and in silence are both vaguer and more penetrating than those of people in society; his thoughts are heavier, more odd, and touched always with melancholy. Images and observations which could easily be disposed of by a glance, a smile, an exchange of opinion, will occupy him unbearably, sink deep into the silence, become full of meaning, become life, adventure, emotion. Loneliness ripens the eccentric, the daringly and estrangingly beautiful, the poetic. But loneliness also ripens the perverse, the disproportionate, the absurd, and the illicit.
German novelist and Nobel Prize laureate (1875–1955)
Paul Thomas Mann (6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and mid-length stories, noted for their insight into the psychology of the artist and the intellectual.
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"Let's put it this way: an object created by the human spirit and intellect, which means a significant object, is "significant" in that it points beyond itself, is an expression and exponent of a more universal spirit and intellect, of a whole world of feelings and ideas that have found a more or less perfect image of themselves in that object - by which the degree of its significance is then measured. Moreover, love for such an object is itself equally "significant." It says something about the person who feels it, it defines his relationship to the universe, to the world represented by the created object and, whether consciously or unconsciously, loved along with it."
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He was empty within. There was no stimulus, no absorbing task into which he could throw himself. But his nervous activity, his inability to be quiet,.........had indeed taken the upper hand and become his master. It was something artificial, a pressure on the nerves, a depressant, in fact......This craving for activity had become a martyrdom, but it was dissipated in a host of trivialities.
I will keep faith with death in my heart, yet will remember that faith with death and the dead is only wickedness and dark voluptuousness and enmity against humankind, if it is given power over our thought and contemplation. For the sake of goodness and love, man shall let death have no sovereignty over his thoughts. And with that, I wake up.
Often, the outward and visible material signs and symbols of happiness and success only show themselves when the process of decline has already set in. The outer manifestations take time - like the light of that star up there, which may in reality be already quenched, when it looks to us to be shining its brightest.
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Yet each, in itself — this was the uncanny, the anti-organic, the life-denying character of them all — each of them was absolutely symmetrical, icily regular in form. They were too regular, as substance adapted to life never was to this degree — the living principle shuddered at this perfect precision, found it deathly, the very marrow of death — Hans Castorp felt he understood now the reason why the builders of antiquity purposely and secretly introduced minute variation from absolute symmetry in their columnar structures.