Even as it applies to the individual, art is a heightened mode of existence. It gives deeper pleasures, it consumes more quickly. It carves upon the faces of its votaries the marks of imaginary and spiritual adventures; and though their external existence may be as quiet as a monk’s,

The German people cannot, in the last resort, blink their eyes to the fact that England's attitude to power is quite other, and an incomparably more natural and straightforward one, than her own. Both parties understand something quite different by it—it is the same word with a wholly different meaning. To Englishmen power is in no way the darkly emotional concept as viewed by Germans; power, in English eyes, implies no emotions—the will to power is a German invention—but a function; they exercise it in the gentlest and most unobtrusive manner, with the least possible display, and safeguarding as much freedom as is feasible, for they do not believe that power is a proclamation of slavery, and are therefore not slaves to power themselves. That is called Liberalism—an old-fashioned word for a very vital thing; for he alone is free who allowed others to be free, and the taskmaster is owned by no man as his lord.

The word “justice” is only one name for the idea — only one; there are other names which can be substituted that are equally strong, by no means lacking in vitality; on the contrary, even rather terrifying — for example, freedom and truth. It is impossible to decide which one should take precedence, which is the greatest. For each one expresses the idea in its totality, and one stands for the others. If we say truth, we also say freedom and justice-, if we speak of freedom and justice, we mean truth. It is a complex of an indivisible kind, freighted with spirituality and elementary dynamic force. We call it the absolute. To man has been given the absolute — be it a curse or a blessing, it is a fact. He is pledged to it, his inner being is conditioned by it, and in the human sphere a force which is opposed to truth, hostile to freedom, and lacking in justice, acts in so low and contemptible a manner because it is devoid of feeling and understanding for the relationship between man and the absolute and without comprehension of the inviolable human dignity which grows out of this relationship.

Yet each, in itself — this was the uncanny, the anti-organic, the life-denying character of them all — each of them was absolutely symmetrical, icily regular in form. They were too regular, as substance adapted to life never was to this degree — the living principle shuddered at this perfect precision, found it deathly, the very marrow of death — Hans Castorp felt he understood now the reason why the builders of antiquity purposely and secretly introduced minute variation from absolute symmetry in their columnar structures.

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It might well be that getting used to things up here was simply a matter of getting used to not getting used to them — but

Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state. Yes, it can even, in the twinkling of an eye, make something like a vagabond of the pedant and Philistine. Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.

We, when we sow the seeds of doubt deeper than the most up-to-date and modish free-thought has ever dreamed of doing, we well know what we are about. Only out of radical skepsis, out of moral chaos, can the Absolute spring, the anointed Terror of which the time has need.

(T)here was a story they used to tell at home about a girl whose punishment was that every time she opened her mouth, snakes and toads came out, snakes and toads with every word. The book didn't say what she did about it, but I've always assumed she probably ended up keeping her mouth shut.

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