You have never spent any time in theatrical circles, have you? So you do not know those thespian faces that can embody the features of a Julius Caesar, a Goethe and a Beethoven all in one, but whose owners, the moment they open their mouths, prove to be the most miserable ninnies under the sun.

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There were profound reasons for his attachment to the sea: he loved it because as a hard-working artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life's task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?

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The experiences of a man who lives alone and in silence are both vaguer and more penetrating than those of people in society; his thoughts are heavier, more odd, and touched always with melancholy. Images and observations which could easily be disposed of by a glance, a smile, an exchange of opinion, will occupy him unbearably, sink deep into the silence, become full of meaning, become life, adventure, emotion. Loneliness ripens the eccentric, the daringly and estrangingly beautiful, the poetic. But loneliness also ripens the perverse, the disproportionate, the absurd, and the illicit.

One can say that he consumed one whole week waiting for the return of that single hour every seven days — and waiting means racing ahead, means seeing time and the present not as a gift, but as a barrier, denying and negating their value, vaulting over them in your mind. Waiting, people say, is boring. But in actuality, it can just as easily be diverting, because it devours quantities of time without our ever experiencing or using them for their own sake.

The German people cannot, in the last resort, blink their eyes to the fact that England's attitude to power is quite other, and an incomparably more natural and straightforward one, than her own. Both parties understand something quite different by it—it is the same word with a wholly different meaning. To Englishmen power is in no way the darkly emotional concept as viewed by Germans; power, in English eyes, implies no emotions—the will to power is a German invention—but a function; they exercise it in the gentlest and most unobtrusive manner, with the least possible display, and safeguarding as much freedom as is feasible, for they do not believe that power is a proclamation of slavery, and are therefore not slaves to power themselves. That is called Liberalism—an old-fashioned word for a very vital thing; for he alone is free who allowed others to be free, and the taskmaster is owned by no man as his lord.

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His love of the sea had profound roots: the hardworking artist's desire to rest, his longing to get away from the demanding diversity of phenomena and take shelter in the bosom of simplicity and immensity; a forbidden penchant that was entirely antithetical to his mission and, for that very reason, seductive-a proclivity for the unorganized, the immeasurable, the eternal: for nothingness.