What matters in the end in literature, what is always there, is the truly good. And — though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall — what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing.
Trinidadian-British writer (1932–2018)
Vidiadhar Surajprasad Naipaul (17 August 1932 - 11 August 2018) was a British writer of Indo-Nepalese descent born and raised in Trinidad. He was awarded the Nobel Prize for Literature in 2001.
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Birth Name:
Vidiadhar Surajprasad Naipaul
Alternative Names:
V.S. Naipaul
•
Sir Vidiadhar Surajprasad Naipaul
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Indian poverty is more dehumanizing than any machine; and, more than in any machine civilization, men in India are units, locked up in the straitest obedience by their idea of their dharma. The scientist returning to India sheds the individuality he acquired during his time abroad; he regains the security of his caste identity, and the world is once more simplified. There are minute rules, as comforting as bandages; individual perception and judgement, which once called forth his creativity, are relinquished as burdens, and the man is once more a unit in his herd, his science reduced to a skill. The blight of caste is not only untouchability and the consequent deification in India of filth; the blight, in India that tries to grow, is also the over-all obedience it imposes, its ready-made satisfactions, the diminishing of adventurousness, the pushing away of men of individuality and the possibility of excellence.
With our cynicism, created by years of insecurity, how did we look on men? We judged the salesmen in the van der Weyden by the companies they represented, their ability to offer us concessions. Knowing such men, having access to the services they offered, and being flattered by them that we were not ordinary customers paying the full price or having to take our place in the queue, we thought we had mastered the world.
What matters in the end in literature, what is always there, is the truly good. And — though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall — what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing. ((p. 62, Reading & Writing)
Islam is in its origins an Arab religion. Everyone not an Arab who is a Muslim is a convert. Islam is not simply a matter of conscience or private belief. It makes imperial demands. A convert’s worldview alters. His holy places are in Arab lands; his sacred language is Arabic. His idea of history alters. He rejects his own; he becomes, whether he likes it or not, a part of the Arab story. The convert has to turn away from everything that is his. The disturbance for societies is immense, and even after a thousand years can remain unresolved; the turning away has to be done again and again. People develop fantasies about who and what they are; and in the Islam of converted countries there is an element of neurosis and nihilism. These countries can be easily set on the boil.
"I don’t know why they still building houses," Mr Biswas said. "Nobody don’t want a house these days. They just want a coal barrel. One coal barrel for one person. Whenever a baby born just get another coal barrel. You wouldn’t see any houses anywhere then. Just a yard with five or six coal barrels standing up in two or three rows."
"We heard of ambushes on roads we knew, of villages attacked, of headmen and officials killed. It was at this time that Mahesh said something which I remembered. It wasn't the kind of thing I was expecting from him - so careful of his looks and clothes, so spoiled, so obsessed with his lovely wife. Mahesh said to me: "What do you do? You live here, and you ask that? You do what we all do. You carry on.
To awaken to history was to cease to live instinctively. It was to begin to see oneself and one’s group the way the outside world saw one; and it was to know a kind of rage. India was now full of this rage. There had been a general awakening. But everyone awakened first to his own group or community; every group thought itself unique in its awakening; and every group sought to separate its rage from the rage of other groups.
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If it was Europe that gave us on the coast some idea of our history, it was Europe, I feel, that also introduced us to the lie. Those of us who had been in that part of Africa before the Europeans had never lied about ourselves. Not because we were moral. We didn’t lie because we never assessed ourselves and didn’t think there was anything for us to lie about; we were people who simply did what we did.
I had seen how deep in nearly every West Indian, high and low, were the prejudices of race; how often these prejudices were rooted in self-contempt; and how much important action they prompted. Everyone spoke of nation and nationalism but no one was willing to surrender the priviledges or even the separateness of his group.