What matters in the end in literature, what is always there, is the truly good. And — though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall — what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing. ((p. 62, Reading & Writing)
Trinidadian-British writer (1932–2018)
Vidiadhar Surajprasad Naipaul (17 August 1932 - 11 August 2018) was a British writer of Indo-Nepalese descent born and raised in Trinidad. He was awarded the Nobel Prize for Literature in 2001.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Vidiadhar Surajprasad Naipaul
Alternative Names:
V.S. Naipaul
•
Sir Vidiadhar Surajprasad Naipaul
From Wikidata (CC0)
How terrible it would have been, at this time, to be without it; to have died among the Tulsis, amid the squalour of that large, disintegrating and indifferent family; to have left Shama and the children among them, in one room; or worse, to have lived without even attempting to lay claim to one’s portion of the earth; to have lived and died as one had been born, unnecessary and unaccommodated.
As for the young man carrying the groceries, he was a thin, fair-skinned young man, and I would have said that he had been born in the house. He had the vacant, dog-like expressions that house-born slaves, as I remembered, liked to put on when they were in public with their masters and performing some simple task. This fellow was pretending that the Waitrose groceries were a great burden, but this was just an act, to draw attention to himself and the lady he served. He, too, had mistaken me for an Arab, and when we crossed he had dropped the burdened-down expression and given me a look of wistful inquisitiveness, like a puppy that wanted to play but had just been made to understand that it wasn't playtime.
In his original design the solicitor's clerk seemed to have forgotten the need for a staircase to link both the floors, and what he had provided had the appearance of an afterthought. Doorways had been punched in the eastern wall and a rough wooden staircase - heavy planks on an uneven frame with one warped unpainted banister, the whole covered with a sloping roof of corrugated iron - hung precariously at the back of the house, in striking contrast with the white-pointed brickwork of the front, the white woodwork and the frosted glass of doors and windows.
For this house Mr.Biswas had paid five thousand five hundred dollars.
The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it....
It wasn't only the sand drifts and the mud and the narrow, winding, broken roads up in the mountains. There was all that business at the frontier posts, all that haggling in the forest outside wooden huts that flew strange flags. I had to talk myself and my Peugeot past the men with guns — just to drive through bush and more bush. And then I had to talk even harder, and shed a few more bank notes and give away more of my tinned food, to get myself — and the Peugeot — out of the places I had talked us into.
Some of these palavers could take half a day....
Change had come over him without his knowing. There had been no precise point at which the city had lost its romance and promise, no point at which he had begun to consider himself old, his career closed, and his visions of the future became only visions of Anand's future. Each realization had been delayed and had come, not as a surprise, but as a statement of a condition long accepted.
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"But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road.
To awaken to history was to cease to live instinctively. It was to begin to see oneself and one’s group the way the outside world saw one; and it was to know a kind of rage. India was now full of this rage. There had been a general awakening. But everyone awakened first to his own group or community; every group thought itself unique in its awakening; and every group sought to separate its rage from the rage of other groups.