Often I think of that excellent painter Monticelli,. ..when I come back myself from the mental labor of balancing the six essential colors.. ..sheer work and calculation, with one's mind utterly on the stretch, like an actor on the stage in a difficult part, with a hundred things at once to think of in a single half-hour.
Don't think that I would artificially keep up a feverish condition, but do understand that I am in the midst of a complicated calculation which results in quick succession in canvases quickly executed, but calculated long beforehand. So now, when anyone says that such and such is done too quickly, you can reply that they have looked at it too quickly.

There was a sentence in your letter that struck me, “I wish I were far away from everything, I am the cause of all, and bring only sorrow to everybody, I alone have brought all this misery on myself and others.” These words struck me because that same feeling, just the same, not more nor less, is also on my conscience. When I think of the past, - when I think of the future of almost invincible difficulties, of much and difficult work, which I do not like, which I, or rather my evil self, would like to shirk; when I think the eyes of so many are fixed on me, - who will know where the fault is, if I do not succeed, who will not make me trivial reproaches, but as they are well tried and trained in everything that is right and virtuous and fine gold, they will say, as it were by the expression of their faces: we have helped you and have been a light unto you, - we have done for you what we could, have you tried honestly? what is now our reward and the fruit of our labour? See! when I think of all this, and of so many other things like it, too numerous to name them all, of all the difficulties and cares that do not grow less when we advance in life, of sorrow, of disappointment, of the fear of failure, of disgrace, - then I also have the longing - I wish I were far away from everything

Like me, for instance, who can count so many years in my life when I completely lost all inclination to laugh, leaving aside whether or not this was my own fault, I for one need above all just to have a good laugh. I found that in Guy de Maupassant and there are others here, Rabelais among the old writers, Henri Rochefort among today's, where one can find that — Voltaire in 'Candide'. On the contrary, if one wants truth, life as it is, De Goncourt, for example, in 'Germinie Lacerteux', 'La fille Elisa', Zola in 'La joie de vivre' and 'L'assommoir' and so many other masterpieces paint life as we feel it ourselves and thus satisfy that need which we have, that people tell us the truth. The work of the French naturalists Zola, Flaubert, Guy de Maupassant, De Goncourt, Richepin, Daudet, Huysmans is magnificent and one can scarcely be said to belong to one's time if one isn't familiar with them.

I repeat, let us paint as much as we can and be productive, and be ourselves with all our faults and qualities; I say us, because the money from you [Theo], which I know costs you trouble enough to procure me, gives you the right, when there is some good in my work, to consider half of it your creation.

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The thing has already taken form in my mind before I start it. The first attempts are absolutely unbearable. I say this because I want you to know that if you see something worthwhile in what I am doing, it is not by accident but because of real direction and purpose.

În fine, nu mă pot lăsa pradă melancoliei, trebuie să găsesc o ieșire, căci datoria mea e să lucrez. Sunt clipe când nu-mi găsesc liniștea decât în certitudinea că nenorocirea nu mă va cruța nici pe mine.

If you work with love and intelligence, you develop a kind of armour against people's opinions, just because of the sincerity of your love for nature and art. Nature is also severe and, to put it that way, hard, but never deceives and always helps you to move forward.

There was a sale here [in Paris] of drawings by Millet, I don't know whether I've already written to you about it. When I entered the room in Hôtel Drouot where they were exhibited, I felt something akin to: 'Put off thy shoes from off thy feet, for the place whereon thou standest is holy ground' [Bible-text]. You know that Millet lived [in his youth] in Gréville. Well, I don't know whether it was Gréville or Granville where the man I once told you about died. At any rate, I looked at Millet's drawings of 'The cliffs at Gréville', with redoubled attention.

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Ah, scumpul meu frate, uneori îmi dau atât de bine seama de ceea ce vreau! Pot foarte bine, în viață ca și în pictură, să mă lipsesc de bunul Dumnezeu, dar nu pot, eu, cel suferind, să mă lipsesc de ceva mult mai mare decât mine, care este viața mea: puterea de-a crea. Și dacă, frustrat de această putere din punct de vedere fizic, încerci să zămislești idei în loc de copii, faci parte, totuși, datorită acestui lucru, dintre oameni.

If only we try to live sincerely, it will go well with us, even though we are certain to experience real sorrow, and great disappointments, and also will probably commit great faults and do wrong things, but it certainly is true, that it is better to be high-spirited, even though one makes more mistakes, than to be narrow-minded and all too prudent. It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love, is well done.

I feel such a creative force in me: I am convinced that there will be a time when, let us say, I will make something good every day , on a regular basis....I am doing my very best to make every effort because I am longing so much to make beautiful things. But beautiful things mean painstaking work, disappointment, and perseverance.