You Reading This, Be Ready

Starting here, what do you want to remember?
How sunlight creeps along a shining floor?
What scent of old wood hovers, what softened
sound from outside fills the air?

Will you ever bring a better gift for the world
than the breathing respect that you carry
wherever you go right now? Are you waiting
for time to show you some better thoughts?

When you turn around, starting here, lift this
new glimpse that you found; carry into evening
all that you want from this day. This interval you spent
reading or hearing this, keep it for life — Whatever can anyone give you greater than now,
starting here, right in this room, when you turn around?

Next time what I'd do is look at
the earth before saying anything. I'd stop
just before going into a house
and be an emperor for a minute
and listen better to the wind
or to the air being still.

When anyone talked to me, whether
blame or praise or just passing time,
I'd watch the face, how the mouth
has to work, and see any strain, any
sign of what lifted the voice.

And for all, I'd know more — the earth
bracing itself and soaring, the air
finding every leaf and feather over
forest and water, and for every person
the body glowing inside the clothes
like a light.

If you don't know the kind of person I am

and I don't know the kind of person you are

a pattern that others made may prevail in the world

and following the wrong god home we may miss our star.

...

And as elephants parade holding each elephant's tail,

but if one wanders the circus won't find the park,

I call it cruel and maybe the root of all cruelty

to know what occurs but not recognize the fact.

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"Afterwards

Mostly you look back and say, "Well, OK. Things might have been different, sure, and it's not too bad, but look - things happen like that, and you did what you could."
You go back and pick up the pieces. There's tomorrow. There's that long bend in the river on the way home. Fluffy bursts of milkweed are floating through shafts of sunlight or disappearing where trees reach out from their deep dark roots.

Maybe people have to go in and out of shadows till they learn that floating, that immensity waiting to receive whatever arrives with trust. Maybe somebody has to explore what happens when one of us wanders over near the edge and falls for awhile. Maybe it was your turn."

"With Kit, Age Seven, at the Beach

We would climb the highest dune,
from there to gaze and come down:
the ocean was performing;
we contributed our climb.

Waves leapfrogged and came
straight out of the storm.
What should our gaze mean?
Kit waited for me to decide.

Standing on such a hill,
what would you tell your child?
That was an absolute vista.
Those waves raced far, and cold.

"How far could you swim, Daddy, in such a storm?"
"As far as was needed," I said,
and as I talked, I swam."

Poetry Its door opens near. It’s a shrine by the road, it’s a flower in the parking lot of The Pentagon, it says, “Look around, listen. Feel the air.” It interrupts international telephone lines with a tune. When traffic lines jam, it gets out and dances on the bridge. If great people get distracted by fame they forget this essential kind of breathing and they die inside their gold shell. When caravans cross deserts it is the secret treasure hidden under the jewels.

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How far friends are! They forget you,
most days. They have to, I know; but still,
it’s lonely just being far and a friend.
I put my hand out — this chair, this table — so near: touch, that’s how to live.
Call up a friend? All right, but the phone
itself is what loves you, warm on your ear,
on your hand. Or, you lift a pen
to write — it’s not that far person
but this familiar pen that comforts.
Near things: Friend, here’s my hand. — William Stafford, “Friends,” The Way It Is. (Graywolf Press, 1998)