Robert McKee Quotes

"We must realize that a screenplay is not a novel. Novelists can directly invade the thoughts and feelings of characters. We cannot. Novelists, therefore, can indulge the luxury of free association. We cannot. The prose writer can, if he wishes, walk a character past a shop window, have him look inside and remember his entire childhood. Exposition in prose is relatively easy, but the camera is an X-ray machine for all things false. If we try to force exposition into a film through novel-like free associative editing or semi-subliminal flutter cuts that "glimpse" a character's thoughts, it strikes us as contrived."

درام زندگی بداهه پردازی بی پایانی است

A fine work of art - music, dance, painting, story - has the power to silence the chatter in the mind and lift us to another place.

A beautifully told story is a symphonic unity in which structure, setting, character, genre, and idea meld seamlessly. To find their harmony, the writer must study the elements of story as if they were instruments of an orchestra — first separately, then in concert.

The audience wants to be taken to the limit, to where all questions are answered, all emotion satisfied — the end of the line.

The dramatist is fascinated by the inner life, the passions and sins, madness and dreams of the human heart. But not the comedy writer. He fixes on the social life - the idiocy, arrogance, and brutality in society. The comedy writer singles out a particular institution that he feels has become encrusted with hypocrisy and folly, then goes on the attack. Often we can spot the social institution under assault by noting the film's title.

Do I bludgeon my brains against this wall or do I find some way to get through my days with value?

Beyond imagination and insight, the most important component of talent is perseverance — the will to write and rewrite in pursuit of perfection. Therefore, when inspiration sparks the desire to write, the artist immediately asks: Is this idea so fascinating, so rich in possibility, that I want to spend months, perhaps years, of my life in pursuit of its fulfillment? Is this concept so exciting that I will get up each morning with the hunger to write? Will this inspiration compel me to sacrifice all of life's other pleasures in my quest to perfect its telling? If the answer is no, find another idea. Talent and time are a writer's only assets. Why give your life to an idea that's not worth your life?

Story is metaphor for life.

Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.

Un ACONTECIMIENTO NARRATIVO crea un cambio en la situación de vida de un personaje, tiene significado y se expresa y experimenta en términos de VALOR.

The PROTAGONIST has a conscious desire.

Who are these characters? What do they want? Why do they want it? How do they go about getting it? What stops them? What are the consequences? Finding the answers to these grand questions and shaping them into story is our overwhelming creative task.

Aristotle wrote The Poetics, the “secrets” of story have been as public as the library down the street. Nothing in the craft of storytelling is abstruse. In fact, at first glance telling story for the screen looks deceptively easy. But moving closer and closer to the center, trying scene by scene to make the story work, the task becomes increasingly difficult, as we realize that on the screen there’s no place to hide.

Mastery of craft frees the subconscious.