For a writer, talent is everything. Lots of people make a career out of writing, producing many works and knowing exactly what it takes to become a great writer. But they never break into the big time, because they lack one thing: talent, or a sufficient amount of it.

Inspiration comes from many places — experiences, places, people, books, and the work of other artists. As a writer, it is important to keep one’s senses open to the world around and then trying to capture those impressions to a page. Writing is sort of a game or puzzle to me — playing with words and concepts to present something new to listeners.

Talent is the ability to let ideas manifest themselves through you.

If you're going to make a living at this business - more importantly, if you're going to write anything that will last - you have to realise that a lot of the time, you're going to be writing without inspiration. The trick is to write just as well without it as with. Of course, you write less readily and fluently without it; but the interesting thing is to look at the private journals and letters of great writers and see how much of the time they just had to do without inspiration. Conrad, for example, groaned at the desperate emptiness of the pages he faced; and yet he managed to cover them. Amateurs think that if they were inspired all the time, they could be professionals. Professional know that if they relied on inspiration, they'd be amateurs.

Talent is a long patience, and originality an effort of will and intense observation.

They who lack talent expect things to happen without effort. They ascribe failure to a lack of inspiration or ability, or to misfortune, rather than to insufficient application. At the core of every true talent there is an awareness of the difficulties inherent in any achievement, and the confidence that by persistence and patience something worthwhile will be realized. Thus talent is a species of vigor.

All you need is passion. If you have a passion for something, you'll create the talent.

Imagination? It is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine.

the most critical thing an aspiring writer can do, I think, is to always know why he or she is doing it and for whom. It’s fine to find gratification in the approval of others or in financial success or in any other extrinsic reward, but it’s toxic to make that approval or prestige the motive to write.

At first, when an idea, a poem, or the desire to write takes hold of you, work is a pleasure, a delight, and your enthusiasm knows no bounds. But later on you work with difficulty, doggedly, desperately. For once you have committed yourself to a particular work, inspiration changes its form and becomes an obsession, like a love-affair… which haunts you night and day! Once at grips with a work, we must master it completely before we can recover our idleness.

"For me the major turning point in my working life was when I figured out that the work I produced when I felt inspired wasn't any different from the work I produced when I felt uninspired — at least a few months later. I think that "inspiration" has to do with your own confidence in your ideas, your blood sugar, the external pressures in your life, and a million other factors only tangentially related to the actual quality of the work. If creative work makes you sane and happy (and if it supports you financially), it's terrible to harness it to something you can't control, like "inspiration" — it sucks to only be happy when something you can't control occurs."

Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.

People think that creativity is largely a matter of talent, experience, or luck. They are wrong. Talent, experience, and luck are all key elements, but there is something more fundamental, accessible, and powerful that you can use to multiply your creative effect.

The capacity for indignation is the most important thing for a creative person. Not the aesthetic capacity but the capacity for indignation. And especially indignation at the treatment afforded other people.