...my gaze meets the laptop screen and the words I poured out all afternoon. It began yesterday without any particular intent, just a quick reply to … - Dorit Rabinyan

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...my gaze meets the laptop screen and the words I poured out all afternoon. It began yesterday without any particular intent, just a quick reply to my sister. But today when I went back, the email suddenly took on a different form, more feverish, more poetic. I was seized by a storytelling binge, a lucid, cutting clarity, and from page to page the words joined together and frothed and flowed. And it is then that I realize I am not writing to Iris anymore. That the recipient is in fact myself, an as-of-yet unknown self, a me who has long ago gone back to Israel and is living my tomorrow-life in Tel Aviv, a distant me who will one day open up this file and read the words, and perhaps with hindsight have a better understanding of what is occurring inside me now, what I am going through in these mad and beautiful days. She will remember us as we once were, in New York, in Hilmi's Brooklyn studio. She will read the lines and remember how I sat here once on this couch, in December of 2002, like the bird perched on the windowsill all afternoon, and watched myself loving him while I wrote these words. (chapter 14)

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About Dorit Rabinyan

Dorit Rabinyan (Hebrew: דורית רביניאן; born September 25, 1972) is an Israeli writer and screenwriter.

Also Known As

Alternative Names: Dorit Rabinian Dorit Rivanian

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(Does she see herself as a Mizrahi writer?) Yes, of course. Some of my female colleagues claim that my writing is not feminist literature. And I completely agree, because it is human literature, written by a woman. The fact that I am a woman colors my writing. I am proud of being a woman, just as I am proud of being an Israeli of Iranian descent. I write from what is essentially me, and being Iranian is absolutely an element of that.

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All the Rivers touched a raw nerve in Israeli society. The book tries to address the Jewish fear of losing our identity in the Middle East. And yet that very fear condemned it to official rejection. It was banned from the high-school curriculum on the grounds that “intimate relations between Jews and non-Jews threaten to subvert our distinct identity.” The Minister of Education, Naftali Bennett had claimed that I portrayed Israeli soldiers as sadistic criminals — even though he flatly denied reading the book — and now all the Israeli social networks, news sites and current-affairs programs were discussing All The Rivers.

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