I was never a Sunday scribbler. Writing was never a hobby for me, a pastime to while away the hours. On the contrary, it was as necessary to me as li… - Chava Rosenfarb

I think that books lacking such an introduction are like houses that one enters directly from the street, still wearing one's shoes and galoshes, still wrapped in the mood of outdoors. But an introduction to a volume of poetry functions like the anteroom to a house, a vestibule where one may shake off the burden of daily routine, where one may take off one's coat and boots, catch one's breath, pause for a minute to absorb the atmosphere of the dwelling one is about to enter.

It seems to me that there is an inherent difference between being a Yiddish writer and being a writer of any other language. The difference is both psychological and linguistic. The Yiddish language, written with the Hebrew letters of the Bible, automatically places every Yiddish text within the context of Jewish history, of Jewish national and religious experience, and so endows it with a near-sacred quality. The mystical power that Jews ascribe to the Hebrew letters seems to influence the texture of even the most secular Yiddish works, endowing them with an additional lustre. As a result, the relationship between the Yiddish writer and her public is imbued with a sense of spiritual and intellectual connection.

Even when I’m not writing—and now is not a very productive time for me—I live with my writing and feel it is my anchor, my support.