Doing drama is, in a sense, easier. In doing comedy, if you don't get that laugh, there's something wrong.

Comedy is quite different to anything else – the most important thing is getting a laugh, and it’s a technical skill. You can easily kill a laugh by coming in too soon or with a different expression, so in a way it’s much harder work than drama, because with drama you just get into the script and that’s it! And the more you’re into the script, the more convincing you’ll be.

With a comedy, you can easily take away the humor. So it’s very important to keep the pacing of it going, and to keep the lighthearted nature of it going. I think in many ways, a comedy is more difficult than drama

Comedy has to be done en clair. You can’t blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.

Comedy has to be done en clair. You can't blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.

To me, my approach is the most sensible. You're a comic. Therefore you want to get laughs. How do you get the most laughs in an hour? Tell short jokes. And don't say boom boom at the end. Just let the audience laugh then tell another joke. It's the shortest route to where you want to go.

The hardest part of writing humor is finding a topic that hasn't already been used more times than the only back scratcher at the Institute of Very Itchy People. Ideally, you want a situation that makes you smile even before the humor has been added. If you start with a fresh and inherently funny situation, you're halfway home. [...] If a topic makes you gag, or clench your buns, or laugh, or sigh, or retch -- or react physically in any way -- you have a winner.

It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.

When writing for other comedians, someone once told me, “I want to make it my own.” I’d say, “Look, the jokes are written. The relationships are written. First, do it as written. Later you can make it your own.” A lot of people don’t realize that without a valley, there is no peak. Without information, there is no joke. You’ve got to set things up.

I think being successful in comedy is being funny and making jokes - anything beyond that is the icing on the cake.

I try not to stand on a soapbox and scream. That's boring. You've got to be funny sometimes. All my humor comes from anger. Satire is terrific therapy. Making people laugh is a joy, but making them think about something serious is the ultimate reward.

For humor to work, it must be original. It's easy to create original humor -- or anything else original -- if you follow my formula. [...] Identify someone who has more creative talent than you do, then try to imitate that person exactly. If you're like me, you can depend on your lack of talent to make your imitation look nothing like the source. Over time, you'll drift even further from the source of your theft, thus becoming "original."

If you understand comedy, you understand life. Drama, death, tragedy – everybody has these. But with humour you've got all these, and the antidote. You have found the answer. It doesn't follow that because you are a good comedy writer, you're a happy fellow. I've got one of the most miserable faces in the world. I am only happy when I am working. If I'm not working, I get screwed up because my time is going, my life is slipping by.

Answer honestly... Disabuse me of my ignorance. Don’t let me get away with anything. Don’t try to play my game. Be real. Be passionate. Hold your ideas. Give me resistance. Give me traction I can work against. The friction between reality, or the truly held concerns of the person, and the farcical concerns that I have, or my need to seem important, as opposed to actually understanding what’s true... Where those two things meet is where the comedy happens. So be real. That's the best thing you can do. And call me on my bullshit.