I encourage emerging writers to practice writing daily if this is possible. Writing is a craft that gets better with practice. It is impossible to write a perfect script, and thus while editing and revision make finished products better, it is necessary to let go of revised drafts by submitting them to potential publishers.

The basic unit of writing practice is the timed exercise. 1. Keep your hand moving. 2. Don't cross out. 3. Don't worry about spelling, punctuation, grammar. 4. Lose control. 5. Don't think. Don't get logical. 6. Go for the jugular. […] That is the discipline: to continue to sit.

You learn to write by writing. It’s a truism, but what makes it a truism is that it’s true. The only way to learn to write is to force yourself to produce a certain number of words on a regular basis.

You learn to write the same way you learn to play golf... You do it, and keep doing it until you get it right. A lot of people think something mystical happens to you, that maybe the muse kisses you on the ear. But writing isn’t divinely inspired – it’s hard work.

Writing is like training to be an athlete. There is a lot of training and work that nobody sees in order to compete. The writer needs to write every day, just as the athlete needs to train. Much of the writing will never be used, but it is essential to do it. I always tell my young students to write at least one good page a day. At the end of the year they will have at least 360 good pages. That is a book.

You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. […] Some techniques are appropriate at some times and some for other times. Every moment is different. Different things work. One isn't wrong and the other right. In class we try different techniques or methods.

The primary thing is to write. We focus on the publishing and the authoring part of it, which I think deals with business. The more you write, you begin to create a practice space for yourself. Even for those who have busy lives. It is important to carve out some time and space to write and practice.”

Make a habit of reading what is being written today and what was written by
earlier masters. Writing is learned by imitation. If anyone asked me how I
learned to write, I’d say I learned by reading the men and women who were
doing the kind of writing I wanted to do and trying to figure out how they did it.
But cultivate the best models.

Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.

How do you write? You write, man, you write, that’s how…If you practice an art faithfully it will make you wise, and most writers can use a little wising up.

Writing is like breathing, it's possible to learn to do it well, but the point is to do it no matter what.

You learn to write by writing.

There is no one way 'correct' way of becoming a writer. The very quirks and eccentricities which a workshop will probably discourage may in fact be the aspiring writer's most valuable capital in the longer term. Would be literary Samsons should be wary of enrolling in a hairdressing school.