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This is the practice school of writing. Like running, the more you do it, the better you get at it. […] You practice whether you want to or not. Through practice you actually do get better. Sit down with the least expectation of yourself; say "I am free to write the worst junk in the world." You have to give yourself the space to write a lot without a destination.
The primary thing is to write. We focus on the publishing and the authoring part of it, which I think deals with business. The more you write, you begin to create a practice space for yourself. Even for those who have busy lives. It is important to carve out some time and space to write and practice.”
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I encourage emerging writers to practice writing daily if this is possible. Writing is a craft that gets better with practice. It is impossible to write a perfect script, and thus while editing and revision make finished products better, it is necessary to let go of revised drafts by submitting them to potential publishers.
Writing is like training to be an athlete. There is a lot of training and work that nobody sees in order to compete. The writer needs to write every day, just as the athlete needs to train. Much of the writing will never be used, but it is essential to do it. I always tell my young students to write at least one good page a day. At the end of the year they will have at least 360 good pages. That is a book.
Practice in letter writing goes to the extent of taking care in even one-line letters. It is good if all the above contain a quiet strength. Moreover, according to what the priest Ryōzan heard when he was in the Kamigata area, when one is writing a letter, he should think that the recipient will make it into a hanging scroll.
For example, here’s an excerpt from my article, “How Do Some People Succeed So Quickly? They Approach Life Like This.” Every single moment, of every single day, you are “practicing” something. If you don’t floss in the morning, you’re practicing not-flossing. If you choose to eat quinoa and veggies instead of Frosted Flakes, you’re practicing eating for fuel instead of eating for enjoyment. If you yell at your significant other, you’re practicing a lack of self-control. If you watch TV instead of working on your book, you’re practicing postponing your dream of becoming a novelist. The moment you start to see the world this way, you start to realize that every single moment, of every single day, you are practicing something. And how aware you are of whatever it is you’re practicing dictates how consciously (or unconsciously) you move toward or away from where it is you actually want to be: whether that’s a destination, a physical place, or an emotional state. Here, I am combining the 1/1/1/1 structure with repetition to give a reader plenty of actionable examples without forcing them to read through paragraphs of prose. I’m only giving them what they absolutely need — and then once I’ve given them a handful of examples, I follow up with a longer, more descriptive paragraph (alternating rhythms).
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It took time to learn that the hard thing about writing is to let the story write itself, while one sits at the typewriter and does as little thinking as possible. It happened over and over again, and the beginner learned — when you start puzzling over an idea, and slowing down on the keys, the writing gets worse and worse.
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